Tag: Pam Bishop

Parliamentary debate on the future of Arts, Creative & Cultural Industries and Birmingham.

Parliamentary debate on the future of Arts, Creative & Cultural Industries

The first debate in the House of Commons on arts and culture in over five years took place on 19th June 2013. Given the huge economic and cultural value the sector generates, how important to the government is the future? Maybe the clue is in the massive turn out (See picture above). Some valuable arguments were raised, including the BBC representation of regional broadcast production and investment to the Midlands. Here is the transcript or you can cringe through the video here:

If you are interested to read how some people perceive, research and formulate recommendations for the growth of the Independent Music Sector in Birmingham, read through this document: Does Birmingham punch below its weight? Research and recommendations for growth of the Independent Music Sector in Birmingham by Councillor Ernie Hendricks, James Burkmar, Kevin D’Costa. It has only taken three years of emails, phone calls, and meetings to chase down and read a copy of this, but read it for yourself and draw your own conclusions.

And if you want more, to put some context around what’s been going on over the years, have a read of this, it’s an eye opener. Birmingham: How to kill a city – The Economist http://goo.gl/fb/pZgKq  – Britain’s planning laws all too often restrict and prevent investment which might create economic growth. It is worth remembering occasionally that things were once even worse. For proof of that, see this fascinating post on Birmingham’s economy in the 1950s and 1960s, by Henry Overman, of the LSE’s Spatial Economics Research Centre. It’s worth reading. A shorter version here: http://www.economist.com/blogs/blighty/2013/05/birmingham

More articles worth reading and discussing can be found here: https://birminghammusicnetwork.com/strategy/

Destination Birmingham. Birmingham A Music City Scrutiny Report

In 2010 Birmingham’s Independent Music Industry was asked to answer 10 Questions.

In May 2011 UK Music published “Destination: Music” the first study of its kind to scope the economic contribution of music festivals and major concerts to tourism throughout the UK. You can read all about it at http://www.ukmusic.org/news/post/147-music-tourists-contribute-at-least-864m-a-year-to-the-uk-economy

After May 2011 Emma Williamson (Group Overview and Scrutiny Manager) & Baseema Begum (Research & Policy Officer) at the Scrutiny Office of Birmingham City Council got in touch. Emma & Baseema sent through several documents that asked a number of interesting questions. Rather than try to answer the questions on your behalf, The Music Network decided to pass the questions on to you direct.

In October 2011 The Music Network asked Another 10 Questions.

The Music Network hope the discussion will continue. We have collected together your opinions, consultation and research here in the Strategy category.

In February 2012 An email and Scrutiny Report Document was sent to us by Baseema Begum, Research & Policy Officer, Scrutiny Office, Birmingham City Council. The email read as follows: Continue reading

Another 10 Questions for Birmingham’s Independent Music Industry.

Last year, Birmingham’s Independent Music Industry was asked to answer 10 Questions. In 2011 The Music Network is asking Another 10 Questions to continue the discussion. Replies by email can be sent to: info at birminghammusicnetwork.com

In May 2011 UK Music published “Destination: Music” the first study of its kind to scope the economic contribution of music festivals and major concerts to tourism throughout the UK. You can read all about it at http://www.ukmusic.org/news/post/147-music-tourists-contribute-at-least-864m-a-year-to-the-uk-economy

In recent weeks Emma Williamson (Group Overview and Scrutiny Manager) & Baseema Begum (Research & Policy Officer) at the Scrutiny Office of Birmingham City Council have been in touch. Emma & Baseema sent through several documents that ask a number of interesting questions. Rather than try to answer the questions on your behalf, The Music Network has decided to pass the questions on to you direct. The questions have no deadline for submission, the questions will be open to anyone to answer at any time. Your thoughts and opinions are welcome, at any time. We hope the discussion will continue. For more opinion, consultation and research we have collected together, read through our posts so far in the Strategy category.

If you want to submit your own “Ten Questions” or even just “One new question” please email them in. When we have enough, I’ll post them as “More Questions”. Completed submissions will be published at http://www.birminghammusicnetwork.com unless you state otherwise. Please include your Name, brief biography or information about who you are and what you do, and links to your website or blog. You will be credited as the author of the response. Views from all sides are sought so don’t be afraid to speak your mind. We may learn something. I will invite Emma, Baseema and their colleagues to read your published answers here on the website for themselves.

The following questions have been inspired by the contents of a letter to Birmingham Music Network from Councillor Philip Parkin, Chairman – Leisure, Sport and Culture, Overview and Scrutiny Committee, The Council House, Victoria Square, Birmingham, B1 1BB. (The letter was dated 29 July 2011)

Destination Birmingham: Birmingham, A Music City Continue reading

10 Questions for Birmingham’s Independent Music Industry.

The Music Network invites people with an interest or active role within Birmingham’s Independent Music Industry to answer 10 questions.

There has a been a lot of discussion around these Ten questions. The questions have no deadline for submission, the questions will be open to anyone to answer at any time. You thoughts and opinions are welcome, at any time.

Ten Questions have already been answered by:

Andy Derrick, Keisha Thompson, Jon Cotton, Pam Bishop, Andy Roberts, Ben Calvert.

For more opinion, consultation and research we have collected together, read through our posts in the Strategy category.

If you want to submit your own Ten Questions or even just One new question please email them in. When we have enough, I’ll post them as “Another Ten Questions”.

Completed submissions will be published at http://www.birminghammusicnetwork.com unless you state otherwise. Please include your Name, brief biography or information about who you are and what you do, and links to your website or blog. You will be credited as the author of the response. Views from all sides are sought so don’t be afraid to speak your mind. We may learn something.

Submission by email send to: info at birminghammusicnetwork.com – Thank You.

10 Questions for Birmingham’s Independent Music Industry:

1. In your view, what is the current state of the region’s “Independent Music Industry?”

2. What do you think are it’s immediate needs with reference to the areas that you are most familiar with?

3. As far as the region’s “Independent Music Industry” is concerned, what do you think shows the greatest potential for the next few years?

4. In recent years, there has been a range of initiatives and projects designed to support the development of music in Birmingham. Can you list 5 projects or initiatives that you think have proved beneficial to the “Independent Music Industry?”

5. Can you list any projects or initiatives that you think have proved “of little use or benefit” to the “Independent Music Industry?”

6. With regard to your answers to questions 4 and 5, do you think Birmingham should continue to pursue the idea of more initiatives and projects designed to support the development of music in Birmingham?

7. If you could make any changes to, or include any new ideas for, any “strategy for supporting the development of music in Birmingham” what would your top priorities be?

8. If you were given the task of evaluating whether a project or initiative had been successful, what would you suggest as the best indicators of success, failure, benefit or disaster for the “Independent Music Industry?”

9. As far as your knowledge or understanding of the region’s “Independent Music Industry” is concerned, what are it’s greatest strengths, and what are it’s greatest weaknesses?

10. If you could do anything to “support the development of music in Birmingham” what would you do and why would you choose to do that?

(The term “Region” as far as these questions are concerned refers to Birmingham or the geographic area Birmingham City Council works within.)

I have also quoted a number of existing articles below. Can anyone suggest any other existing articles that the group should read and consider that may have been omitted?

A DIGITAL AND CREATIVE INDUSTRIES ACTION PLAN https://birminghammusicnetwork.com/2008/03/06/a-digital-and-creative-industries-action-plan/

The people who control the Funding are damaging the Creative Industries in The West Midlands by Anthony J Hughes https://birminghammusicnetwork.com/2008/06/12/the-people-who-control-the-funding-are-damaging-the-creative-industries-in-the-west-midlands/

Birmingham Twinned with Your Darkest Thought? by Mark Iron Man Records https://birminghammusicnetwork.com/2008/11/10/birmingham-twinned-with-your-darkest-thought/

A Year later – Perspectives on the West Midlands Music Industry – Scott Roe, Solar Creations https://birminghammusicnetwork.com/2008/11/10/a-year-later-perspectives-on-the-west-midlands-music-industry-scott-roe/

What is your view of the West Midlands’ music industry? by Mark Iron Man Records https://birminghammusicnetwork.com/2009/02/03/what-is-your-view-of-the-west-midlands%E2%80%99-music-industry/

A Vision for the Music Industry in the West Midlands by Clare Edwards June 2008 https://birminghammusicnetwork.com/2009/02/03/a-vision-for-the-music-industry-in-the-west-midlands-by-clare-edwards-june-2008/

Another view of the West Midlands’ music industry and FUNDING by Andy Ward https://birminghammusicnetwork.com/2009/02/10/andy-ward-another-view-of-the-west-midlands%E2%80%99-music-industry-and-funding/

Countercultural Capital & the Creative Economy – How do 1990s DiY Music ‘Entrepreneurs’ talk about the contemporary music business?” by Charlotte Bedford 2008 https://birminghammusicnetwork.com/2009/06/04/countercultural-capital-the-creative-economy-how-do-1990s-diy-music-%E2%80%98entrepreneurs%E2%80%99-talk-about-the-contemporary-music-business-by-charlotte-bedford-2008/

Funding the Creative Industries by Andy Derrick 13th Feb 2009 https://birminghammusicnetwork.com/2009/02/13/funding-the-creative-industries-by-andy-derrick-13th-feb-2009/

The Scottish Music Industry Association(SMIA) – launched at Go North conference https://birminghammusicnetwork.com/2009/07/21/the-scottish-music-industry-associationsmia-launched-at-go-north-conference/

Redefining the Music Industry – A public consultation on the future shape, needs, direction and ambitions of the music industry. https://birminghammusicnetwork.com/2009/09/10/redefining-the-music-industry-a-public-consultation-on-the-future-shape-needs-direction-and-ambitions-of-the-music-industry/

National Survey and Mapping Exercise assessing provision & scope of music support work across UK 2009 https://birminghammusicnetwork.com/2009/09/22/national-survey-and-mapping-exercise-assessing-provision-scope-of-music-support-work-across-uk-2009/

How does Iron Man Records choose it’s artists and how does it promote them? https://birminghammusicnetwork.com/2009/11/28/how-does-iron-man-records-choose-its-artists-and-how-does-it-promote-them/

your comments please…..

cheers Mark – The Music Network, January 2011

10 Questions for Birmingham’s Independent Music Industry answered by Pam Bishop

1. In your view, what is the current state of the region’s “Independent Music Industry?”

Currently it seems to attract people who use a lot of sound engineering with their music – we don’t hear so much about the natural sounds of singers and musicians.
2. What do you think are it’s immediate needs with reference to the areas that you are most familiar with?

Lack of good venues.  Singers and musicians need good venues to perform, which are easy for their audiences to get to, and comfortable for both performers and audience.  Since the demise of pub rooms, such venues are more and more difficult to find.
3. As far as the region’s “Independent Music Industry” is concerned, what do you think shows the greatest potential for the next few years?

Getting children involved in music and singing – these will be the musicians of the future

4. In recent years, there has been a range of initiatives and projects designed to support the development of music in Birmingham. Can you list 5 projects or initiatives that you think have proved beneficial to the “Independent Music Industry?”

Sound It Out
Gigbeth
Sing Up (CBSO)
5. Can you list any projects or initiatives that you think have proved “of little use or benefit” to the “Independent Music Industry?”

6. With regard to your answers to questions 4 and 5, do you think Birmingham should continue to pursue the idea of more initiatives and projects designed to support the development of music in Birmingham?

Yes please, more Sing Up projects would be great

7. If you could make any changes to, or include any new ideas for, any “strategy for supporting the development of music in Birmingham” what would your top priorities be?

Training for teachers so they are more confident in delivering music and singing in their schools.  Giving them resources so they can bring musicians and singers into schools.

8. If you were given the task of evaluating whether a project or initiative had been successful, what would you suggest as the best indicators of success, failure, benefit or disaster for the “Independent Music Industry?”

Has the project raised skills levels amongst its participants?
Has it increased audience participation?

9. As far as your knowledge or understanding of the region’s “Independent Music Industry” is concerned, what are it’s greatest strengths, and what are it’s greatest weaknesses?

10. If you could do anything to “support the development of music in Birmingham” what would you do and why would you choose to do that?

Continue to run folk music events and training, because our traditional music and song is valuable and relevant to people in the 21st century

Pam Bishop

The Music Network was contacted in January 2010 by a group drawn from Birmingham City Council and the Arts Council England to begin to determine an overview of the current state, needs and potential of the “Independent Music Industry” in Birmingham.

The Music Network invites people with an interest or active role within Birmingham’s Independent Music Industry to answer 10 questions.

If you wish to get involved read 10 Questions for Birmingham’s Independent Music Industry and send your completed responses by email to: info at birminghammusicnetwork.com – Thank You.

Simon Howes has created an easy to use google survey for these questions here too.

All completed questions will be published here unless you state otherwise. Please be sure to include your full Name and any links to your website or blog so you can be credited in full as the author of the response. Views from all sides are sought so don’t be afraid to speak your mind. We may learn something.