Category: Pitch (Page 11 of 17)

Find out what the Midlands has to offer. Send us your 250 word pitch on any music related service you offer and we’ll put it here.

10 Questions for Birmingham’s Independent Music Industry.

January 13, 2010 /

The Music Network has been contacted by a group drawn from Birmingham City Council and the Arts Council England to begin to determine an overview of the current state, needs and potential of the “independent music industry” in Birmingham.

The Music Network invites people with an interest or active role within Birmingham’s Independent Music Industry to answer 10 questions.

Completed questions will be published at http://www.birminghammusicnetwork.com unless you state otherwise. Please include your Name, biography or information about who you are and what you do, and links to your website or blog. You will be credited as the author of the response. Views from all sides are sought so don’t be afraid to speak your mind. We may learn something.

Please note, as with all funded projects, if you don’t voice your opinion a decision will be made on your behalf without any reference to you and you may not benefit from any strategy that gets agreed and put into action.

Here are 10 open questions. If you wish to get involved, please send your completed responses by email to: info at birminghammusicnetwork.com – Thank You.

Questions:

1. In your view, what is the current state of the region’s “Independent Music Industry?”

2. What do you think are it’s immediate needs with reference to the areas that you are most familiar with?

3. As far as the region’s “Independent Music Industry” is concerned, what do you think shows the greatest potential for the next few years?

4. In recent years, there has been a range of initiatives and projects designed to support the development of music in Birmingham. Can you list 5 projects or initiatives that you think have proved beneficial to the “Independent Music Industry?”

5. Can you list any projects or initiatives that you think have proved “of little use or benefit” to the “Independent Music Industry?”

6. With regard to your answers to questions 4 and 5, do you think Birmingham should continue to pursue the idea of more initiatives and projects designed to support the development of music in Birmingham?

7. If you could make any changes to, or include any new ideas for, any “strategy for supporting the development of music in Birmingham” what would your top priorities be?

8. If you were given the task of evaluating whether a project or initiative had been successful, what would you suggest as the best indicators of success, failure, benefit or disaster for the “Independent Music Industry?”

9. As far as your knowledge or understanding of the region’s “Independent Music Industry” is concerned, what are it’s greatest strengths, and what are it’s greatest weaknesses?

10. If you could do anything to “support the development of music in Birmingham” what would you do and why would you choose to do that?

Simon Howes has created an easy to use google survey for these 10 questions here

(The term “Region” as far as these questions are concerned refers to Birmingham or the geographic area Birmingham City Council works within.)

I have also quoted a number of existing articles below. I have suggested that the group should read through each of the articles and consider the content carefully.

Can anyone suggest any other existing articles that the group should read and consider that may have been omitted?

A DIGITAL AND CREATIVE INDUSTRIES ACTION PLAN https://birminghammusicnetwork.com/2008/03/06/a-digital-and-creative-industries-action-plan/

The people who control the Funding are damaging the Creative Industries in The West Midlands by Anthony J Hughes https://birminghammusicnetwork.com/2008/06/12/the-people-who-control-the-funding-are-damaging-the-creative-industries-in-the-west-midlands/

Birmingham Twinned with Your Darkest Thought? by Mark Iron Man Records https://birminghammusicnetwork.com/2008/11/10/birmingham-twinned-with-your-darkest-thought/

A Year later – Perspectives on the West Midlands Music Industry – Scott Roe, Solar Creations https://birminghammusicnetwork.com/2008/11/10/a-year-later-perspectives-on-the-west-midlands-music-industry-scott-roe/

What is your view of the West Midlands’ music industry? by Mark Iron Man Records https://birminghammusicnetwork.com/2009/02/03/what-is-your-view-of-the-west-midlands%E2%80%99-music-industry/

A Vision for the Music Industry in the West Midlands by Clare Edwards June 2008 https://birminghammusicnetwork.com/2009/02/03/a-vision-for-the-music-industry-in-the-west-midlands-by-clare-edwards-june-2008/

Another view of the West Midlands’ music industry and FUNDING by Andy Ward  https://birminghammusicnetwork.com/2009/02/10/andy-ward-another-view-of-the-west-midlands%E2%80%99-music-industry-and-funding/

Countercultural Capital & the Creative Economy – How do 1990s DiY Music ‘Entrepreneurs’ talk about the contemporary music business?” by Charlotte Bedford 2008 https://birminghammusicnetwork.com/2009/06/04/countercultural-capital-the-creative-economy-how-do-1990s-diy-music-%E2%80%98entrepreneurs%E2%80%99-talk-about-the-contemporary-music-business-by-charlotte-bedford-2008/

Funding the Creative Industries by Andy Derrick 13th Feb 2009 https://birminghammusicnetwork.com/2009/02/13/funding-the-creative-industries-by-andy-derrick-13th-feb-2009/

The Scottish Music Industry Association(SMIA) – launched at Go North conference https://birminghammusicnetwork.com/2009/07/21/the-scottish-music-industry-associationsmia-launched-at-go-north-conference/

Redefining the Music Industry – A public consultation on the future shape, needs, direction and ambitions of the music industry. https://birminghammusicnetwork.com/2009/09/10/redefining-the-music-industry-a-public-consultation-on-the-future-shape-needs-direction-and-ambitions-of-the-music-industry/

National Survey and Mapping Exercise assessing provision & scope of music support work across UK 2009 https://birminghammusicnetwork.com/2009/09/22/national-survey-and-mapping-exercise-assessing-provision-scope-of-music-support-work-across-uk-2009/

How does Iron Man Records choose it’s artists and how does it promote them? https://birminghammusicnetwork.com/2009/11/28/how-does-iron-man-records-choose-its-artists-and-how-does-it-promote-them/

your comments please…..

cheers Mark – The Music Network, January 2010

JOB Vacancy: Excellent communicator and experienced project co-ordinator to help establish Shut Up and Listen Music Programme for musicians/audiences with learning disability

September 26, 2009 /

We have a great job going at Carousel. Please can you tell as many people about the job as possible? Thank you.

Do you have the skills to support musicians with a learning disability to produce a regular radio show and market their music to a new audience? If so, we might have the job for you!

We are an award winning Brighton based learning disability arts organisation with an international remit. Our mission is to inspire people with learning disabilities to achieve their artistic ambitions.

We are seeking an excellent communicator and experienced project co-ordinator for two days per week to help us establish and develop our Shut Up and Listen Music Programme for musicians and audiences with a learning disability http://www.shutupandlisten.org.uk

For further information and an application pack
please call Mark or Julia on 01273 234734

Carousel
Community Base
113 Queens Road
Brighton BN1 3XG
w: www.carousel.org.uk
e: mark.richardson@carousel.org.uk

Redefining the Music Industry – A public consultation on the future shape, needs, direction and ambitions of the music industry.

September 10, 2009 /

An urgent message from our man Peter Jenkinson: “UK Music has asked us to alert key operators in our network to a consultation paper preparing on the future shape, needs, direction and ambitions of the music industry.”

You can submit your thoughts and  response directly to feedback at ukmusic.org

They are closing responses by the 15th September 2009; if you need any further information go to www.ukmusic.org/consultation

Redefining the Music Industry
A public consultation on the future shape, needs, direction
and ambitions of the music industry.

Closing date for responses: 15th September 2009

About UK Music

Established in October 2008, UK Music is the umbrella body that represents the collective interest of the UK’s commercial music industry: from artists, musicians, songwriters and composers, to record labels, music managers, music publishers, collecting societies and studio producers.

Our member organisations are: the Association of Independent Music (AIM), the British Academy of Songwriters, Composers & Authors (BASCA), BPI (British Recorded Music Industry) Limited, the Music Managers Forum (MMF),
the Music Publishers Association Limited (MPA), the Musicians Union (MU), PPL (Phonographic Performance Limited) and PRS for Music.

UK Music exists to understand, explain, promote, protect and nurture the UK’s commercial music sector so that its inherent value grows and its positive knock-on effects reverberate ever further and ever deeper. UK Music, through its wide membership, has access to the very best of the talent, creativity, insight and experience of those who together make up the
commercial music sector.

Drawing on such a rich resource, UK Music is the industry unit for:

Public policy and lobbying
External awareness and public opinion
Research and analysis
Industry-relevant education and skills

For more information see www.ukmusic.org

Overview

As we all know, the music industry has been dramatically re-shaped over the past ten years. In equal measures, this has proved disruptive, challenging and exciting. It will continue to be so.

However, within a fast-changing, ever-evolving commercial market, we believe it is vital that our entire industry can pull together; that we can identify and overcome internal and external challenges, plan, strategise, set
policy and forge ahead.

UK Music is currently working on a detailed report – to be published in late October – that will seek to do just this.

In order to take into account the widest spectrum of opinion, UK Music has announced an open, industry-wide consultation that will inform this report.

Consultation Summary

Specifically, we are asking all those working within, or affected by, the music industry, to contribute their thoughts to a vision of where our commercial sector should be heading over the next 5-10 years, the challenges we need to overcome, and the changes and policies that could positively impact on both individuals and businesses.

The UK is home to the world’s most amazing musical heritage. More importantly, on the world stage we continue to punch way above our weight in terms of musical creativity, innovation and commercial success.

To ensure this remains the case, we need your help and input.

To begin with, we would ask you to respond to the following five questions:

1. What are the key challenges to growth in your particular sector? Where are the greatest opportunities for growth? What policies do you think our industry should be collectively developing to address and support these aspects, and why? Is there any role for Government to help in these areas? If so, how?

2. How can our sector offer better opportunities for young people that wish to engage with our sector? How can we best support those at the grassroots level? Can our industry create better entry avenues for those people aspiring to work within our industry and develop a career in the music business?

3. Is there a skills shortage in your sector? If so, what sort of workforce development or training would best benefit your needs? What should our industry be doing to promote further workplace equality in and throughout the sector?

4. What can industry partners – for instance, commercial radio and the BBC – do to help promote new, diverse, local musical talent across all genres?

5. Are there any other significant issues you would like to draw our attention to? (All considerations offered are welcome.) 

Download the original PDF here: PDF : Redefining the Music Industry

Petition calling on Prime Minister to stop using Licensing Act to criminalise live music

August 3, 2009 /

Here is the petition calling on the Prime Minister to stop using the Licensing Act to criminalise live music and to implement amendments that would exempt small gigs.

The Petition has gained well over 1000 signatures since it was launched last Monday, 27 July:

http://petitions.number10.gov.uk/livemusicevents/

We the undersigned petition the Prime Minister to stop criminalising live music with the Licensing Act, and to support amendments backed by the Culture, Media and Sport Committee, and the music industry, which would exempt most small-scale performances in schools, hospitals, restaurants and licensed premises.

If you support the petition and the ideas it represents, please sign and circulate the link above as widely as possible.

Many local authorities use the Act to bully small venues, including schools. You may even have had first hand experience of this already if you are involved with live music on a regular basis:
http://www.northamptonchron.co.uk/news/School-show-scrapped-after-head.5080776.jp

Providing musical instruments is of itself a potential offence:
http://www.dailymail.co.uk/news/article-1194875/Strolling-Beethoven-Playing-PIANO-street–start-new-craze.html

Even musical instruments provided by schools are caught in this madness, as confirmed in this ‘Yes Minister’ government response of 15 July 2009 to questions raised by Lord Clement-Jones:

Lord Clement-Jones: To ask Her Majesty’s Government what information or guidance has been provided to schools and local authorities concerning the requirement to license the provision of musical instruments as “entertainment facilities” under the Licensing Act 2003 where such instruments are used in public performances of live music or private performances that seek to raise money for good causes. [HL4839]

The Minister for Communications, Technology and Broadcasting (Lord Carter of Barnes): The department has provided general advice to applicants on its website and detailed guidance to licensing authorities on the 2003 Act as it affects the provision of regulated entertainment. However, the Act has devolved responsibility for the administration of the licensing regime to individual authorities and it is for them to consider each application on its own merits. The Act does not draw a distinction between events which are put on for charity purposes and those which are not.

Although the 2003 Act requires schools and colleges to obtain a licence for regulated entertainment to which the public are invited, or for a private entertainment where a fee is charged with a view to profit, they are exempt from paying the licence fee if the event is provided by, located at and for the purpose of the school or college.

Lord Clement-Jones: To ask Her Majesty’s Government what proportion of schools in England and Wales are licensed under the Licensing Act 2003 for performances of live music and the provision of musical instruments as “entertainment facilities”. [HL4840]

Lord Carter of Barnes: We do not hold this information. The statistical data collected by the department identify how many premises have permission, in the form of a premises licence or club premises certificate, to put on regulated entertainment, including live music. However, it is not known how many schools have obtained an appropriate permission to cover live performances of music and the provision of entertainment facilities, or indeed any other form of regulated entertainment such as a dance event or a play. In some cases, a school may decide to put on an event by giving a temporary event notice.

Although the Licensing Act 2003 requires schools and colleges to obtain a licence for regulated entertainment to which the public are invited, or for a private entertainment where a fee is charged with a view to profit, they are exempt from paying the licence fee if the event is provided by, located at and for the purpose of the school or college.

See: http://www.publications.parliament.uk/pa/ld200809/ldhansrd/text/90715w0002.htm#09071576000578

Please cut and paste, or share this post if you support the petition, please sign and circulate the links above as widely as possible http://www.birminghammusicnetwork.com

You are welcome to leave any comments you may have regarding this petition below.

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