Category: Strategy (Page 4 of 11)

Strategy, policy, ideas, opinions and discussion of

Another 10 Questions for Birmingham’s Independent Music Industry.

Last year, Birmingham’s Independent Music Industry was asked to answer 10 Questions. In 2011 The Music Network is asking Another 10 Questions to continue the discussion. Replies by email can be sent to: info at birminghammusicnetwork.com

In May 2011 UK Music published “Destination: Music” the first study of its kind to scope the economic contribution of music festivals and major concerts to tourism throughout the UK. You can read all about it at http://www.ukmusic.org/news/post/147-music-tourists-contribute-at-least-864m-a-year-to-the-uk-economy

In recent weeks Emma Williamson (Group Overview and Scrutiny Manager) & Baseema Begum (Research & Policy Officer) at the Scrutiny Office of Birmingham City Council have been in touch. Emma & Baseema sent through several documents that ask a number of interesting questions. Rather than try to answer the questions on your behalf, The Music Network has decided to pass the questions on to you direct. The questions have no deadline for submission, the questions will be open to anyone to answer at any time. Your thoughts and opinions are welcome, at any time. We hope the discussion will continue. For more opinion, consultation and research we have collected together, read through our posts so far in the Strategy category.

If you want to submit your own “Ten Questions” or even just “One new question” please email them in. When we have enough, I’ll post them as “More Questions”. Completed submissions will be published at http://www.birminghammusicnetwork.com unless you state otherwise. Please include your Name, brief biography or information about who you are and what you do, and links to your website or blog. You will be credited as the author of the response. Views from all sides are sought so don’t be afraid to speak your mind. We may learn something. I will invite Emma, Baseema and their colleagues to read your published answers here on the website for themselves.

The following questions have been inspired by the contents of a letter to Birmingham Music Network from Councillor Philip Parkin, Chairman – Leisure, Sport and Culture, Overview and Scrutiny Committee, The Council House, Victoria Square, Birmingham, B1 1BB. (The letter was dated 29 July 2011)

Destination Birmingham: Birmingham, A Music City Continue reading

10 Questions for Birmingham’s Independent Music Industry.

The Music Network invites people with an interest or active role within Birmingham’s Independent Music Industry to answer 10 questions.

There has a been a lot of discussion around these Ten questions. The questions have no deadline for submission, the questions will be open to anyone to answer at any time. You thoughts and opinions are welcome, at any time.

Ten Questions have already been answered by:

Andy Derrick, Keisha Thompson, Jon Cotton, Pam Bishop, Andy Roberts, Ben Calvert.

For more opinion, consultation and research we have collected together, read through our posts in the Strategy category.

If you want to submit your own Ten Questions or even just One new question please email them in. When we have enough, I’ll post them as “Another Ten Questions”.

Completed submissions will be published at http://www.birminghammusicnetwork.com unless you state otherwise. Please include your Name, brief biography or information about who you are and what you do, and links to your website or blog. You will be credited as the author of the response. Views from all sides are sought so don’t be afraid to speak your mind. We may learn something.

Submission by email send to: info at birminghammusicnetwork.com – Thank You.

10 Questions for Birmingham’s Independent Music Industry:

1. In your view, what is the current state of the region’s “Independent Music Industry?”

2. What do you think are it’s immediate needs with reference to the areas that you are most familiar with?

3. As far as the region’s “Independent Music Industry” is concerned, what do you think shows the greatest potential for the next few years?

4. In recent years, there has been a range of initiatives and projects designed to support the development of music in Birmingham. Can you list 5 projects or initiatives that you think have proved beneficial to the “Independent Music Industry?”

5. Can you list any projects or initiatives that you think have proved “of little use or benefit” to the “Independent Music Industry?”

6. With regard to your answers to questions 4 and 5, do you think Birmingham should continue to pursue the idea of more initiatives and projects designed to support the development of music in Birmingham?

7. If you could make any changes to, or include any new ideas for, any “strategy for supporting the development of music in Birmingham” what would your top priorities be?

8. If you were given the task of evaluating whether a project or initiative had been successful, what would you suggest as the best indicators of success, failure, benefit or disaster for the “Independent Music Industry?”

9. As far as your knowledge or understanding of the region’s “Independent Music Industry” is concerned, what are it’s greatest strengths, and what are it’s greatest weaknesses?

10. If you could do anything to “support the development of music in Birmingham” what would you do and why would you choose to do that?

(The term “Region” as far as these questions are concerned refers to Birmingham or the geographic area Birmingham City Council works within.)

I have also quoted a number of existing articles below. Can anyone suggest any other existing articles that the group should read and consider that may have been omitted?

A DIGITAL AND CREATIVE INDUSTRIES ACTION PLAN https://birminghammusicnetwork.com/2008/03/06/a-digital-and-creative-industries-action-plan/

The people who control the Funding are damaging the Creative Industries in The West Midlands by Anthony J Hughes https://birminghammusicnetwork.com/2008/06/12/the-people-who-control-the-funding-are-damaging-the-creative-industries-in-the-west-midlands/

Birmingham Twinned with Your Darkest Thought? by Mark Iron Man Records https://birminghammusicnetwork.com/2008/11/10/birmingham-twinned-with-your-darkest-thought/

A Year later – Perspectives on the West Midlands Music Industry – Scott Roe, Solar Creations https://birminghammusicnetwork.com/2008/11/10/a-year-later-perspectives-on-the-west-midlands-music-industry-scott-roe/

What is your view of the West Midlands’ music industry? by Mark Iron Man Records https://birminghammusicnetwork.com/2009/02/03/what-is-your-view-of-the-west-midlands%E2%80%99-music-industry/

A Vision for the Music Industry in the West Midlands by Clare Edwards June 2008 https://birminghammusicnetwork.com/2009/02/03/a-vision-for-the-music-industry-in-the-west-midlands-by-clare-edwards-june-2008/

Another view of the West Midlands’ music industry and FUNDING by Andy Ward https://birminghammusicnetwork.com/2009/02/10/andy-ward-another-view-of-the-west-midlands%E2%80%99-music-industry-and-funding/

Countercultural Capital & the Creative Economy – How do 1990s DiY Music ‘Entrepreneurs’ talk about the contemporary music business?” by Charlotte Bedford 2008 https://birminghammusicnetwork.com/2009/06/04/countercultural-capital-the-creative-economy-how-do-1990s-diy-music-%E2%80%98entrepreneurs%E2%80%99-talk-about-the-contemporary-music-business-by-charlotte-bedford-2008/

Funding the Creative Industries by Andy Derrick 13th Feb 2009 https://birminghammusicnetwork.com/2009/02/13/funding-the-creative-industries-by-andy-derrick-13th-feb-2009/

The Scottish Music Industry Association(SMIA) – launched at Go North conference https://birminghammusicnetwork.com/2009/07/21/the-scottish-music-industry-associationsmia-launched-at-go-north-conference/

Redefining the Music Industry – A public consultation on the future shape, needs, direction and ambitions of the music industry. https://birminghammusicnetwork.com/2009/09/10/redefining-the-music-industry-a-public-consultation-on-the-future-shape-needs-direction-and-ambitions-of-the-music-industry/

National Survey and Mapping Exercise assessing provision & scope of music support work across UK 2009 https://birminghammusicnetwork.com/2009/09/22/national-survey-and-mapping-exercise-assessing-provision-scope-of-music-support-work-across-uk-2009/

How does Iron Man Records choose it’s artists and how does it promote them? https://birminghammusicnetwork.com/2009/11/28/how-does-iron-man-records-choose-its-artists-and-how-does-it-promote-them/

your comments please…..

cheers Mark – The Music Network, January 2011

‘Playing on a Level Playing Field’ – by Jim Mawdsley

The MDA is proud to publish the first in a series of campaign papers penned by its membership, with the first being an inspired discussion regarding music development in the UK.

Our aim is to raise the visibility and sector awareness of important issues affecting music business growth and sustainability. There are also campaign papers in the pipeline covering areas such as:- International events / conventions – collective logistics and economies of scale?- Bulk Visa arrangements and finance for conventions / trade ventures.?- Local / Independent Radio Support

Here is the link to download the pdf to read: ‘Playing on a Level Playing Field’ – by Jim Mawdsley

There has been some media coverage so far with more on way:

MUSICWEEK – http://www.musicweek.com/story.asp?sectioncode=2&storycode=1042070

UNSIGNED GUIDE – http://www.theunsignedguide.com/news/1174/paper-published-on-music-development/

Please contribute to the discussion by commenting below.

IRISH MINISTER FOR COMMUNICATIONS PROMISES ROUNDTABLE TALKS ON ILLEGAL FILE-SHARING AT THE MUSIC SHOW IN DUBLIN

Irish Minister for Communications, Eamon Ryan, has announced a commitment to holding roundtable talks on the issue of illegal filesharing, involving representatives from the Government, the music industry and the internet service providers (ISPs).

Speaking at The Music Show, run by Hot Press Magazine in Dublin, he stated that the talks will begin before the end of this month with the aim of negotiating a solution to the problem of illegal filesharing, without further recourse to the courts.

IRMA, the representative body of the record companies, has already negotiated a ‘three strikes and you’re out’ arrangement with Eircom. However, so far the rest of the ISPs have refused to reach a similar agreement, insisting that they should not have to take responsibility for the illegal actions of their customers.

The Minister made his unexpected announcement when he participated in a heated panel discussion on the Communications and Music: How Can We Ensure That The Piper Is Paid? – And Other Important Matters of Public Policy at The Music Show. A host of industry heavyweights including singer songwriter Paul Brady, Sharon Corr, CEO of SEG Entertainment division Marc Marot, Warner Music Europe CEO John Reid and Victor Finn, CEO of the Irish Music Rights Organisation urged the Minister to take action immediately to tackle illegal downloading.

The Music Show, Ireland’s national Music Exhibition and Forum is run by Hot Press magazine. For more information contact Louise Zayed at Hot Press on + 353 (0)1 241 1500 or + 353 (0)86 878 7112 or email louise@hotpress.ie

SHARON CORR DENOUNCES IRISH GOVERNMENT’S INACTION ON ILLEGAL FILE-SHARING

Debate at The Music Show in Dublin sparks anger among artists and record companies

Sharon Corr has denounced the Irish government for their neglect of artists’ rights in relation to the illegal downloading of music.

Emotions ran high at an explosive debate at The Music Show in Dublin on Saturday (3rd October 2010), in which the Irish Minister for Communications, Energy and Natural Resources, Eamon Ryan TD took part alongside SEG’s Marc Marot, Victor Finn (Chief Executive, IMRO), Paul Brady & Louis Walsh.

In a lively question and answer session, the Corrs’ violinist – who has just released her solo debut on Warner Music worldwide – spoke from the floor and was highly critical of what she called the Government’s “laissez faire” record on artists’ rights.

“I just recorded an album. I employed a producer, a studio, I paid the orchestra to come in, the guy who did the score,” she told the Minister. “I don’t understand why they get paid and I don’t get paid (by people who download the album). It’s a basic right to be paid for your work.”

On the Government’s inaction in relation to illegal downloading, she was clear in her condemnation. “I feel the government have a very laissez faire approach to the whole thing,” she said. “Implementation needs to happen. A Digital Economy Act needs to be brought in to Ireland. Legislation needs to be put through and implemented.”

John Reid, CEO of Warner Music Europe, also spoke from the audience. He was openly sceptical of plans unveiled by the Minister during the debate, for talks involving the ISPs, expert academics and other interested parties. Reid said that this would be a protracted and probably ineffective talking shop.

“Don’t get a bunch of guys from my old university,” said Reid, who was Ents Officer in Trinity College in the 1980s. “It’ll take a year and you’ll be out of office by then. Move now and follow your nose.”

Reid urged the Minister to roll out the three strikes rule to all ISPs. “In Sweden, the introduction of a new law was enough to make sure music sales grew in a year. Put a law in place. It doesn’t hurt the ISPs,” said the record company boss.

Under Swedish law, the ISPs must give the address of people suspected of copyright violations to the copyright holders – a move which resulted in a drop in illegal file-sharing of between 40% and 50%. Over the same period in 2009, following the introduction of the law, record sales increased by 14%, while sales online increased by 57%.

The Music Show is run by Hot Press Magazine.

*WHAT OTHER PANELLISTS HAD TO SAY*

Victor Finn of IMRO Speaks Out
* Speaking as a member of the panel, Victor Finn, CEO of the Irish Music Rights Organisation (IMRO) called on the Minister to introduce legislation to make the ISPs responsible for illegal actions carried out on their networks. This would effectively force the ISPs to police their users and crack down on illegal filesharers.

In Ireland, only one ISP, Eircom, following protracted negotiations with the Irish Recorded Music Association, has voluntarily introduced a ‘three strikes and you’re out’ rule against serial downloaders. The first warning letters have been sent out to Eircom customers over the last couple of weeks, Finn stated.

“We have sought the co-operation of the ISP industry,” Finn who was part of the IMIR (Irish Music Intellectual Rights) stand at the show, stated. “Apart from Eircom, who have introduced a graduated response measure, the rest of the industry have to be dragged kicking and screaming to the table.

“You have a role in encouraging ISPs to be responsible for what they carry,” he said to the Minister. “You have the power to regulate that industry. ISPs operate in Ireland by way of government licence. You have the power to implement terms and conditions in those licences that ensure those ISPs are responsible for what goes up on their networks,” Finn told the Minister.

Minister Ryan refuses to commit
But Minister Ryan refused to commit to tackling the issue through legislation, citing the high number of jobs in the computer industry. The Minster argued that if the music industry and the ISPs would co-operate, this would be much more effective.

“Let’s actually meet and have some sort of consultative space,” the Minister said, “where you can have both computing industries or ISP industries and musical industries sitting down and sharing some ideas, not just to do it through the courts, but to do it the smarter way, collaboratively.

“I would hope to have such a forum in place by the end of this month, in the hope of taking that sort of approach, rather than just a legalistic approach,” he told the audience.

Marc Marot of SEG Joins The Fray
* Marc Marot, CEO of the entertainment arm of the powerful Sports Entertainment Group (SEG), speaking at The Music Show in Dublin, said he was in favour of the UK’s Digital Rights Act and the three strikes rule, adding that without the ISPs it was impossible to protect artists.

Marot, formerly MD with Island Records, gave a damning example of the impact of illegal downloading to the conference. He explained that SEG have a successful trance act on his books with a fanbase of 14,000. The band recently shifted 4,000 copies, or £15,000 worth of its LP on the day it went on sale. On the same day, Marot and the band monitored 17,000 bit torrents going out illegally, equal to £150,000 worth of turnover.

“That band effectively wasted an entire year of endeavour, and all of that thought, energy and investment of money they made from touring. Effectively they just watched it disappear down the toilet. That’s what happens if governments don’t get involved, and they don’t use their powers to legislate. It’s easy to talk about U2, but it’s just the small bands coming up that are suffering,” he said.

Musician Paul Brady Appeals for One Strike Policy
* Folk legend Paul Brady was also highly critical of the lack of Government action in relation to illegal filesharing.
“If I hear anyone else in Government saying the arts will get us out of our present difficulties, I think I’ll scream,” Brady told Irish Communications Minister Eamon Ryan, on a panel at The Music  Show, to applause from the audience.

You seem to expect us artists to be cultural ambassadors and work for nothing. Three percent of people, in the last report, in this country think artists should be paid for their work,” Brady said. “I don’t know why we’re talking about three strikes. It is against the law. Why isn’t it one strike and you’re charged?”

The Music Show is run by Hot Press magazine. For more information contact Louise Zayed at Hot Press on (01) 241 1500 or (086) 878 7112 or email louise@hotpress.ie

Andy Derrick on why Birmingham Music Network should be funded by A.W.M.

Andy Derrick has written an interesting piece on why Birmingham Music Network should be funded by AWM.

Andy starts by saying “I have the great pleasure of frequently attending and sometimes chairing the Birmingham Music Network. For those of you that don’t know, the BMN meets on the last Thursday of each month inside the TEE, a faculty of Birmingham City University at Millennium Point, Curzon Street, Birmingham.  

The network also has a dynamic online presence here: https://birminghammusicnetwork.com

It was set up by Mark Sampson and Anthony Hughes some time ago and is run on a voluntary basis. It meets an average of 20 people each month providing advice, support and a place to meet others and make good contacts. Businesses represented include sound engineers, singers, songwriters, radio dj’s, studio owners, performers, music students, media consultant, venue owners, gig promoters and everyone from across the music industry spectrum in the West Midlands.

The website and the network are vital Giochi tradizionali (o europei) in uso nei casino italiani sono: Roulette francese, Trente et quarante, Chemin de fer, Boule, Baccarat. parts of the local music scene, in my opinion, but it could do more. Imagine a world where the website is continuously updated by a team of dedicated experts, where less time was spent finding a sponsor for some tea and coffee and more on promoting the meetings to the people that need them, where there was a budget to advertise effectively, where the volunteers were paid a modest amount to cover their time and expenses. Imagine what could be achieved.  It could be achieved with some financial support.”

Other pearls of Andy here: http://andyderrick.co.uk

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