Tag: music (Page 55 of 58)

Berkleemusic distance learning program

July 21, 2009 /

I am writing to you on behalf of Berklee College of Music who have just launched their Berkleemusic distance learning program officially in the UK. One of the things that this entails is that £45,000 have been pledged to be given out to UK students over the upcoming five years to study online with Berklee. Patrons of these scholarships include Sir George Martin and Jeff Beck alongside three other big music names.

The scholarships are open to everyone in the UK and we are trying to boost awareness about them to the British musician community. information provided within the press release below,
Best regards,
Nik Miskov
Music Ally Ltd
1-5 Exchange Court
London WC2R 0JU
Office: +44 (0)20 74204320
Mobile: +44 (0)75 900 400 68
www.MusicAlly.com
www.TheLeadingQuestion.com
www.AliadoDigital.com

download information doc here: Berkleemusic distance learning program doc

The Scottish Music Industry Association(SMIA) – launched at Go North conference

July 21, 2009 /

To keep you up to date on developments in Scotland, Dave Cross sent us this message after Go North:

“The Scottish Music Industry Association(SMIA) was launched at the Go North conference in Inverness. The SMIA has been many years in the making and has been developed by a team comprising many established leaders in the Music Industry – they will now form its initial Board. The outline objectives, structure and role of the Association was the subject of a feasibility study undertaken by the Scottish Arts Council (SAC) and published in 2005. The formation of the Association then received support of the Scottish Executive and in particular the MSP who Chaired the Cross Party Parliamentary Group on Contemporary Scottish Popular Music. The remit, and integration with local, national and international players was carefully planned and it had been hoped to begin recruitment in 05. The SMIA has this week been able to appoint an administrator, who will be based in the offices of the Scottish Music Centre (next to the City Halls) in Candleriggs, Glasgow.

They have also commissioned Ronnie Gurr, seasoned promoter of networking and coordination of music activity across Scotland, to embarking on a more thorough analysis of the needs and opportunities facing music across all its facets, both in terms of genres and business activity. The Association’s published remit is to act as a representative body promoting the growth of the Scottish music industry with a single, clear voice, supporting the full diversity of Scottish music enterprise in a fair and committed way.

Generator has been closely following and contributing to the processes leading to the SAC feasibility study and the commitment to create the inclusive representative body that was launched today.

Contact them @ The Scottish Music Centre – Candleriggs, Glasgow G1 1NQ Tel 0141 552 5222

info at scottishmusiccentre.com

Download the PDF here: The Scottish Music Industry Association: Feasibility Study pdf

51 Breaks – From self release to the edge of V festival!

July 21, 2009 /

It’s been a whirlwind year for 51 Breaks. The band from Birmingham have gone from self releasing an a download single with only 100 limited pressed copies to standing on the edge of opening this years V Festival, whilst supporting  The Spinto band, The Maccabees, The Infadels and even Tinchy Stryder along the way!

They find themselves as part of the final 6 acts now facing a public vote to see who will open this years V festival. It all came as quite a surprise to the band and their singer Michael Turner, who by his own admission never saw all this coming. ‘’We released 3 tracks, and carried on gigging and soon we were getting asked to play alongside some of our favourite bands, and then from up loading a track onto the V site we get a call saying were into the last 10’’

This saw 51 Breaks play the Great Escape festival in Brighton last month mollinebonus.net where they supported competition mentor Just Jack. ‘’It was an amazing feeling, to look back at a year ago, wed just finished recording  and had a whole load of dates stretched out in front of us, the single did better than we ever thought it could and we just seemed to be on a roll, gigs kept coming and we we’ve now ended up here! Hopefully people will be voting for us and well get to go even further’’

Their mixture of orchestral arrangements, catchy hooks and electro beats has earned them rave reviews and with fans including the NME & Tom Robinson you get the feeling this is far from the end of the ride.

Music can be found for reviews @ http://roadtov.com/artists/51-breaks/
info at 51breaks.com

Black Country Music Network – Wolverhampton, 3pm on Wednesday 29th July

July 20, 2009 /

You are invited to attend and participate in the Black Country Music Network, a real face-to-face opportunity for business and individuals involved in the music business and allied industries in the Black Country.

This meeting takes place at the Bingley Enterprise Centre, Norfolk Road, Wolverhampton WV3 0JE from 3pm on Wednesday 29th July.

There is some free parking nearby and bus stops from central Wolverhampton are close by.

Click this link for a map http://maps.google.com/maps?f=q&source=s_q&hl=en&geocode=&q=wv3+0je&sll=37.0625,-95.677068&sspn=37.871902,56.074219&ie=UTF8&z=16

The Black Country Music Network is aimed at organisations, business and traders in and around the music industry in the black country.  The event aims to provide those attending with a forum for discussion, asking for help and advice, meeting and connecting with new partners and collaborators or just to discover more about their local scene.

Please RSVP info at sostenuto.org.uk whether or not you can make it and also please let anyone you know that you think would be interested

BCMN - Black Country Music Network

Countercultural Capital & the Creative Economy – How do 1990s DiY Music ‘Entrepreneurs’ talk about the contemporary music business?” by Charlotte Bedford 2008

June 4, 2009 /

Here is a link to “Countercultural Capital & the Creative Economy – How do 1990s DiY Music ‘Entrepreneurs’ talk about the contemporary music business?” written by Charlotte Bedford for her MA Media Enterprise – Birmingham City University (May 2008)

It makes an interesting read…..here is a brief summary:

Placing independent music at the centre of the wider creative industries, this paper captures experiences and perspectives from 1990s DiY Music in order to inform the understanding of the rapidly changing ‘business’ of music.  The research builds on Leadbetter and Oakley’s (1999) description of a ‘new’ model of work derived from cultural entrepreneurs’ characteristic ‘independence’, and Wilson and Stokes’ (2002) subsequent paper on the changing nature of small independent businesses in the music industry.  These ideas are considered in relation to cultural and popular music theory, particularly drawing on Thornton’s (1998) concept of ‘subcultural capital’ where value within a music scene relates to the lines of demarcation differentiating between underground and mainstream.  The role of the cultural entrepreneur is examined through accounts and opinions of independent music practice then and now, exploring the extent to which the current Do-it-Yourself digital music trend is new and ‘independent’.

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