Tag: consultation

Have your say on arrangements for touring professionals and artists in the EU

Please complete and share this survey

On Monday 8 February 2021, MPs will discuss a petition relating to arrangements for touring professionals and artists in the EU and will put questions to a Government Minister.

The petition, titled ‘Seek Europe-wide Visa-free work permit for Touring professionals and Artists’, has more than 280,000 signatures as of 29 January. Please consider signing it if you haven’t already done so.

Your responses to this survey will help MPs to understand the issues musicians, artists and other touring professionals are facing and inform what questions they ask the Government. A summary of survey responses will be published on the Parliament website and shared with other MPs taking part in the session. The session will be broadcast and live streamed. What MPs say may be reported in the press and appear on the news, so please don’t share any personal information that you don’t want to be public.

Find out more about the Petitions Committee’s session on this issue

The House of Commons Petitions Committee have asked all those with an interest in these issues to share this survey. Please complete the Survey here.
They want to know about the impact of Brexit on bands and fans@HoCpetitions

Caroline Dinenage MP, Minister for Digital and Culture, will respond for the Government.

Ahead of the session, the Committee has written to the Culture Secretary Oliver Dowden MP to ask for clarity on the Government’s negotiations with the EU regarding arrangements for visa-free travel for musicians, in light of recent press reports.

The session comes as sittings in Westminster Hall, the traditional debating Chamber for e-petitions, are suspended and the Government has said it currently has no plans to enable virtual participation. The session will allow petitioners’ concerns to be debated by MPs, including those who are shielding, and will be broadcast live on Parliament TV. The Committee held two similar sessions during the closure of Westminster Hall last year, and has scheduled a further such session on a petition relating to Stamp Duty Land Tax relief for Monday 1 February.

The 90-minute virtual sessions will be open to Members from across the House, including those who are self-isolating or shielding. The sessions will be broadcast live on parliamentlive.tv and on YouTube, and a transcript of each session will be published.

Chair comments

“I’m delighted we have been able to schedule two e-petition sessions, where Members from across the House, including those self-isolating and shielding, will be able to scrutinise the Government directly on issues raised by petitioners.

“As was the case when Westminster Hall was closed due to Covid-19 last year, we have had to innovate to find ways to hold the Government to account, and crucially to voice the concerns of petitioners in the House of Commons, while our usual debates cannot be held.

“As these petitions demonstrate, there are important issues affecting hundreds of thousands of people that are being missed. Their calls for help and support must be heard.”

Parliamentary debate on the future of Arts, Creative & Cultural Industries and Birmingham.

Parliamentary debate on the future of Arts, Creative & Cultural Industries

The first debate in the House of Commons on arts and culture in over five years took place on 19th June 2013. Given the huge economic and cultural value the sector generates, how important to the government is the future? Maybe the clue is in the massive turn out (See picture above). Some valuable arguments were raised, including the BBC representation of regional broadcast production and investment to the Midlands. Here is the transcript or you can cringe through the video here:

If you are interested to read how some people perceive, research and formulate recommendations for the growth of the Independent Music Sector in Birmingham, read through this document: Does Birmingham punch below its weight? Research and recommendations for growth of the Independent Music Sector in Birmingham by Councillor Ernie Hendricks, James Burkmar, Kevin D’Costa. It has only taken three years of emails, phone calls, and meetings to chase down and read a copy of this, but read it for yourself and draw your own conclusions.

And if you want more, to put some context around what’s been going on over the years, have a read of this, it’s an eye opener. Birmingham: How to kill a city – The Economist http://goo.gl/fb/pZgKq  – Britain’s planning laws all too often restrict and prevent investment which might create economic growth. It is worth remembering occasionally that things were once even worse. For proof of that, see this fascinating post on Birmingham’s economy in the 1950s and 1960s, by Henry Overman, of the LSE’s Spatial Economics Research Centre. It’s worth reading. A shorter version here: http://www.economist.com/blogs/blighty/2013/05/birmingham

More articles worth reading and discussing can be found here: https://birminghammusicnetwork.com/strategy/

Destination Birmingham. Birmingham A Music City Scrutiny Report

In 2010 Birmingham’s Independent Music Industry was asked to answer 10 Questions.

In May 2011 UK Music published “Destination: Music” the first study of its kind to scope the economic contribution of music festivals and major concerts to tourism throughout the UK. You can read all about it at http://www.ukmusic.org/news/post/147-music-tourists-contribute-at-least-864m-a-year-to-the-uk-economy

After May 2011 Emma Williamson (Group Overview and Scrutiny Manager) & Baseema Begum (Research & Policy Officer) at the Scrutiny Office of Birmingham City Council got in touch. Emma & Baseema sent through several documents that asked a number of interesting questions. Rather than try to answer the questions on your behalf, The Music Network decided to pass the questions on to you direct.

In October 2011 The Music Network asked Another 10 Questions.

The Music Network hope the discussion will continue. We have collected together your opinions, consultation and research here in the Strategy category.

In February 2012 An email and Scrutiny Report Document was sent to us by Baseema Begum, Research & Policy Officer, Scrutiny Office, Birmingham City Council. The email read as follows: Continue reading

Musoplex film opinions on Music in the West Midlands

Musoplex, a rehearsal and recording studio based in Oldbury, is looking for opinionated creative residents of the West Midlands e.g. promoters, bands, artists and management, to have a chat on video about the state of music in the region.  They have posted a few of their pilots online, filmed and edited by Musoplex Director Andy Ward.

Andy said “Musoplex as a studio and rehearsal rooms hears a lot of opinions as to the good and bad going on in music in the area. We have decided to do something about it, we are documenting views and opinions on film. If you want to offer your own opinions or comments to camera, in no more than a 10 minute interview e-mail andy@musoplex.com.”

Watch the videos for yourself, and if you have something to say, get in touch.

Another 10 Questions for Birmingham’s Independent Music Industry.

Last year, Birmingham’s Independent Music Industry was asked to answer 10 Questions. In 2011 The Music Network is asking Another 10 Questions to continue the discussion. Replies by email can be sent to: info at birminghammusicnetwork.com

In May 2011 UK Music published “Destination: Music” the first study of its kind to scope the economic contribution of music festivals and major concerts to tourism throughout the UK. You can read all about it at http://www.ukmusic.org/news/post/147-music-tourists-contribute-at-least-864m-a-year-to-the-uk-economy

In recent weeks Emma Williamson (Group Overview and Scrutiny Manager) & Baseema Begum (Research & Policy Officer) at the Scrutiny Office of Birmingham City Council have been in touch. Emma & Baseema sent through several documents that ask a number of interesting questions. Rather than try to answer the questions on your behalf, The Music Network has decided to pass the questions on to you direct. The questions have no deadline for submission, the questions will be open to anyone to answer at any time. Your thoughts and opinions are welcome, at any time. We hope the discussion will continue. For more opinion, consultation and research we have collected together, read through our posts so far in the Strategy category.

If you want to submit your own “Ten Questions” or even just “One new question” please email them in. When we have enough, I’ll post them as “More Questions”. Completed submissions will be published at http://www.birminghammusicnetwork.com unless you state otherwise. Please include your Name, brief biography or information about who you are and what you do, and links to your website or blog. You will be credited as the author of the response. Views from all sides are sought so don’t be afraid to speak your mind. We may learn something. I will invite Emma, Baseema and their colleagues to read your published answers here on the website for themselves.

The following questions have been inspired by the contents of a letter to Birmingham Music Network from Councillor Philip Parkin, Chairman – Leisure, Sport and Culture, Overview and Scrutiny Committee, The Council House, Victoria Square, Birmingham, B1 1BB. (The letter was dated 29 July 2011)

Destination Birmingham: Birmingham, A Music City Continue reading

10 Questions for Birmingham’s Independent Music Industry.

The Music Network invites people with an interest or active role within Birmingham’s Independent Music Industry to answer 10 questions.

There has a been a lot of discussion around these Ten questions. The questions have no deadline for submission, the questions will be open to anyone to answer at any time. You thoughts and opinions are welcome, at any time.

Ten Questions have already been answered by:

Andy Derrick, Keisha Thompson, Jon Cotton, Pam Bishop, Andy Roberts, Ben Calvert.

For more opinion, consultation and research we have collected together, read through our posts in the Strategy category.

If you want to submit your own Ten Questions or even just One new question please email them in. When we have enough, I’ll post them as “Another Ten Questions”.

Completed submissions will be published at http://www.birminghammusicnetwork.com unless you state otherwise. Please include your Name, brief biography or information about who you are and what you do, and links to your website or blog. You will be credited as the author of the response. Views from all sides are sought so don’t be afraid to speak your mind. We may learn something.

Submission by email send to: info at birminghammusicnetwork.com – Thank You.

10 Questions for Birmingham’s Independent Music Industry:

1. In your view, what is the current state of the region’s “Independent Music Industry?”

2. What do you think are it’s immediate needs with reference to the areas that you are most familiar with?

3. As far as the region’s “Independent Music Industry” is concerned, what do you think shows the greatest potential for the next few years?

4. In recent years, there has been a range of initiatives and projects designed to support the development of music in Birmingham. Can you list 5 projects or initiatives that you think have proved beneficial to the “Independent Music Industry?”

5. Can you list any projects or initiatives that you think have proved “of little use or benefit” to the “Independent Music Industry?”

6. With regard to your answers to questions 4 and 5, do you think Birmingham should continue to pursue the idea of more initiatives and projects designed to support the development of music in Birmingham?

7. If you could make any changes to, or include any new ideas for, any “strategy for supporting the development of music in Birmingham” what would your top priorities be?

8. If you were given the task of evaluating whether a project or initiative had been successful, what would you suggest as the best indicators of success, failure, benefit or disaster for the “Independent Music Industry?”

9. As far as your knowledge or understanding of the region’s “Independent Music Industry” is concerned, what are it’s greatest strengths, and what are it’s greatest weaknesses?

10. If you could do anything to “support the development of music in Birmingham” what would you do and why would you choose to do that?

(The term “Region” as far as these questions are concerned refers to Birmingham or the geographic area Birmingham City Council works within.)

I have also quoted a number of existing articles below. Can anyone suggest any other existing articles that the group should read and consider that may have been omitted?

A DIGITAL AND CREATIVE INDUSTRIES ACTION PLAN https://birminghammusicnetwork.com/2008/03/06/a-digital-and-creative-industries-action-plan/

The people who control the Funding are damaging the Creative Industries in The West Midlands by Anthony J Hughes https://birminghammusicnetwork.com/2008/06/12/the-people-who-control-the-funding-are-damaging-the-creative-industries-in-the-west-midlands/

Birmingham Twinned with Your Darkest Thought? by Mark Iron Man Records https://birminghammusicnetwork.com/2008/11/10/birmingham-twinned-with-your-darkest-thought/

A Year later – Perspectives on the West Midlands Music Industry – Scott Roe, Solar Creations https://birminghammusicnetwork.com/2008/11/10/a-year-later-perspectives-on-the-west-midlands-music-industry-scott-roe/

What is your view of the West Midlands’ music industry? by Mark Iron Man Records https://birminghammusicnetwork.com/2009/02/03/what-is-your-view-of-the-west-midlands%E2%80%99-music-industry/

A Vision for the Music Industry in the West Midlands by Clare Edwards June 2008 https://birminghammusicnetwork.com/2009/02/03/a-vision-for-the-music-industry-in-the-west-midlands-by-clare-edwards-june-2008/

Another view of the West Midlands’ music industry and FUNDING by Andy Ward https://birminghammusicnetwork.com/2009/02/10/andy-ward-another-view-of-the-west-midlands%E2%80%99-music-industry-and-funding/

Countercultural Capital & the Creative Economy – How do 1990s DiY Music ‘Entrepreneurs’ talk about the contemporary music business?” by Charlotte Bedford 2008 https://birminghammusicnetwork.com/2009/06/04/countercultural-capital-the-creative-economy-how-do-1990s-diy-music-%E2%80%98entrepreneurs%E2%80%99-talk-about-the-contemporary-music-business-by-charlotte-bedford-2008/

Funding the Creative Industries by Andy Derrick 13th Feb 2009 https://birminghammusicnetwork.com/2009/02/13/funding-the-creative-industries-by-andy-derrick-13th-feb-2009/

The Scottish Music Industry Association(SMIA) – launched at Go North conference https://birminghammusicnetwork.com/2009/07/21/the-scottish-music-industry-associationsmia-launched-at-go-north-conference/

Redefining the Music Industry – A public consultation on the future shape, needs, direction and ambitions of the music industry. https://birminghammusicnetwork.com/2009/09/10/redefining-the-music-industry-a-public-consultation-on-the-future-shape-needs-direction-and-ambitions-of-the-music-industry/

National Survey and Mapping Exercise assessing provision & scope of music support work across UK 2009 https://birminghammusicnetwork.com/2009/09/22/national-survey-and-mapping-exercise-assessing-provision-scope-of-music-support-work-across-uk-2009/

How does Iron Man Records choose it’s artists and how does it promote them? https://birminghammusicnetwork.com/2009/11/28/how-does-iron-man-records-choose-its-artists-and-how-does-it-promote-them/

your comments please…..

cheers Mark – The Music Network, January 2011

Redefining the Music Industry – A public consultation on the future shape, needs, direction and ambitions of the music industry.

An urgent message from our man Peter Jenkinson: “UK Music has asked us to alert key operators in our network to a consultation paper preparing on the future shape, needs, direction and ambitions of the music industry.”

You can submit your thoughts and  response directly to feedback at ukmusic.org

They are closing responses by the 15th September 2009; if you need any further information go to www.ukmusic.org/consultation

Redefining the Music Industry
A public consultation on the future shape, needs, direction
and ambitions of the music industry.

Closing date for responses: 15th September 2009

About UK Music

Established in October 2008, UK Music is the umbrella body that represents the collective interest of the UK’s commercial music industry: from artists, musicians, songwriters and composers, to record labels, music managers, music publishers, collecting societies and studio producers.

Our member organisations are: the Association of Independent Music (AIM), the British Academy of Songwriters, Composers & Authors (BASCA), BPI (British Recorded Music Industry) Limited, the Music Managers Forum (MMF),
the Music Publishers Association Limited (MPA), the Musicians Union (MU), PPL (Phonographic Performance Limited) and PRS for Music.

UK Music exists to understand, explain, promote, protect and nurture the UK’s commercial music sector so that its inherent value grows and its positive knock-on effects reverberate ever further and ever deeper. UK Music, through its wide membership, has access to the very best of the talent, creativity, insight and experience of those who together make up the
commercial music sector.

Drawing on such a rich resource, UK Music is the industry unit for:

Public policy and lobbying
External awareness and public opinion
Research and analysis
Industry-relevant education and skills

For more information see www.ukmusic.org

Overview

As we all know, the music industry has been dramatically re-shaped over the past ten years. In equal measures, this has proved disruptive, challenging and exciting. It will continue to be so.

However, within a fast-changing, ever-evolving commercial market, we believe it is vital that our entire industry can pull together; that we can identify and overcome internal and external challenges, plan, strategise, set
policy and forge ahead.

UK Music is currently working on a detailed report – to be published in late October – that will seek to do just this.

In order to take into account the widest spectrum of opinion, UK Music has announced an open, industry-wide consultation that will inform this report.

Consultation Summary

Specifically, we are asking all those working within, or affected by, the music industry, to contribute their thoughts to a vision of where our commercial sector should be heading over the next 5-10 years, the challenges we need to overcome, and the changes and policies that could positively impact on both individuals and businesses.

The UK is home to the world’s most amazing musical heritage. More importantly, on the world stage we continue to punch way above our weight in terms of musical creativity, innovation and commercial success.

To ensure this remains the case, we need your help and input.

To begin with, we would ask you to respond to the following five questions:

1. What are the key challenges to growth in your particular sector? Where are the greatest opportunities for growth? What policies do you think our industry should be collectively developing to address and support these aspects, and why? Is there any role for Government to help in these areas? If so, how?

2. How can our sector offer better opportunities for young people that wish to engage with our sector? How can we best support those at the grassroots level? Can our industry create better entry avenues for those people aspiring to work within our industry and develop a career in the music business?

3. Is there a skills shortage in your sector? If so, what sort of workforce development or training would best benefit your needs? What should our industry be doing to promote further workplace equality in and throughout the sector?

4. What can industry partners – for instance, commercial radio and the BBC – do to help promote new, diverse, local musical talent across all genres?

5. Are there any other significant issues you would like to draw our attention to? (All considerations offered are welcome.) 

Download the original PDF here: PDF : Redefining the Music Industry