Page 143 of 173

The Nightingales – reviews from USA tour 2008 New York, Boston, LA

NEW YORK
 
Last friday I caught the Nightingales play at Asterisk Gallery in Bushwick with Imaginary Icons. I have to admit I was a bit worried because the last few times they came over they had teen guitar sensation Matt Wood playing with them, who was, as his name says, truly a guitar sensation. He’s been replaced by Christy Edwards of Christy and Emily. Her sound is different than Matt’s, but what the band loses in skronk they make up in punk energy. They are also joined by a bass player they picked up while recording at Faust’s studio in Germany. And of course, the amazing Darren Garratt ex of Pram and original Prefects guitarist Alan Apperly round out the line-up, backing up the one and only Robert Lloyd. They played for like 5 hours, they covered the Troggs, they rarely stopped between songs, and seriously, for the last 3 times I’ve seen them, they’ve consistently been the best live band I’ve seen in years.
 
BOSTON
 
The Nightingales played their hearts out. Daren on the drums is a sight (he now has a cup holder that attaches to the hardware). Top drummer…madman extraordinaire. No one plays like him. Andi is the German bass player they picked up at Faust. He is truly a Nightingale, they found the right fit for the job, feels complete. Christy was a charm. I was hesitant/skeptical because I thought I was going to miss Matt Wood. I didn’t. Not because I don’t miss Matt, but her presence with the band was natural, and she can play! Emily also joined them on stage to sing a bit and play kazoo. Clara Kebabian showed up with her violin and joined the band for about half the set. Wonderful to hear and meet her as well. Robert and Alan were solid. Robert was on. His voice was perfect, and he seemed at ease.

The Nightingales new record is superb. Every song. The mesmerizing accordion (played by Daren) opens the record, there are some brilliantly improvised pieces, a couple rockers, and a beautiful open tuning acoustic piece written by Alan. I cannot express enough my respect and admiration for this band.
 
LA
 
But perhaps the Nightingales earned the evening’s highest score for sheer intensity. Frontman Robert Lloyd cast a hulking, glowering, swaggering presence as he dispensed his nervy, occasionally histrionic rants to the Echo crowd. The Fall? Yes. Lloyd has discarded and reconfigured the Nightingales several times, but this incarnation packs a lot of punch thanks the dual guitar attack from veteran Alan Apperley and newbie Christine Edwards.

Some longtime fans were there too. When, during one pause, an audience member blurted out the next lyric, Lloyd glared. “Shut the [heck] up,” he said, then mocked, “And by the way, don’t take a photograph of me ever again when I’m holding a Bud Light.”

Posted via email from Iron Man Records

The Nightingales LA Review 2008

The Nightingales (UK) played one of the best sets of Part Time Punks Festival. It was dark and hopeless, but oh so so charismatic and entertaining — the kind of music that could convince you to end your life or save it, depending on the day. Singer Robert Lloyd spent half the set stalking on the lip of the stage, sizing-up members of the crowd like he was looking for someone to shiv later on.

Another re-formed post-punk band from the early 80’s, The Nightingales’ current incarnation, only two original members amongst a strange assemblage of people, seemed to draw extra life from its younger blood. Guitarist Christine Edwards was a revelation, treating her guitar as though it was a piece of food that she was chopping into smaller bits for child consumption. The drumming was sicker than a U.S. civil war infirmary.

Some of the best rock performances are performed by bands so uncompromising in their work as to almost be contemptuous to their audience. Pain with your pleasure, chains with your feathers.”

Posted via email from Iron Man Records

The Music Network Meeting 4pm, 18th December 2008 at Birmingham TIC

The Music Network organises a NETWORKING EVENT on the last Thursday of each month, 4-6pm
The next meeting is open to all on Thursday 18th December 4pm til 6pm at The BCU Technology and Innovation Centre(TIC), Millennium Point, Curzon Street, Birmingham, B4 7XG. (directions/info tel: 08712 262725)
Come and talk about music and what you’re up to and meet some new people, you know it makes sense.
The meeting this month will be lead by Andy Derrick who some of you will know from the good work he has done with the Birmingham branch of Musicians Union over the past year or two. The Music Network organises the meeting for the benefit of music related businesses in the West Midlands region. 
If you are a musician, work with musicians, represent musicians, have involvement with the music industry, or are looking to make new contacts the meeting will be useful to you. 
If you have news to report, a presentation to give, an event to promote, any new points for discussion, a pitch to make, business cards or flyers to hand round, an appeal for help, advice or guidance or even if you just want the free tea and biscuits and some quality entertainment…you are all invited.
There will be luxury chocolate biscuits and good coffee for all. There’s food and drink afterwards supplied by the creative networks too. Pass this on to Musicians you know.

Posted via email from Iron Man Records

HEAD2HEAD Thursday 11th December 2008 seminars / workshops designed to support the musician and promoter

The Music Network would like to pass this on to you from our friends at Generator

Generator Presents: HEAD2HEAD
Thursday 11th December 2008 The Stanwix Arts Theatre & The University of Cumbria, Brampton Road, Stanwix, Carlisle
A day of seminars and workshops designed to support both the musical and professional endeavours of the musician and promoter.
 
Sound-scope song writing session
The Stanwix Arts Theatre
1.00 – 3.00pm
Songwriting Workshop with Peter Brewis – ‘The Week That Was’ and formerly with ‘Field Music’.
With a musician whose influences are so diverse, expect this session to draw in all kinds of music and be concerned with quality work, both in song writing and composition.   
Peter and his brother formed the core of ‘Field Music’, a band whose line-up at times have featured members of both ‘Maximo Park’ and ‘Futureheads’. Peter will be describing what songwriting means to him, and how he approaches the task.  While there are no hard and fast rules to composition, there are certain guiding principles which may be useful for your personal, musical development.
 
Live Music Promoter Workshop
The Stanwix Arts Theatre
4.00pm – 6.00pm
Open to anyone interested in promoting live music events of any genre.
This workshop will be an interactive discussion based on the fundamental principles of promoting live music events, including:
  • How to become established
  • Costings and financial elements
  • Promotion and marketing
  • Venue management
  • Licensing issues
  • Dealing with agents
  • Artist liaison  
  • Outdoor events
  • Production elements   
 
HEAD2HEAD – A&R panel session
The Stanwix Arts Theatre
4.00pm – 6.00pm
A&R representatives from 1965 RecordsUniversal and 4AD will be on hand for a panel discussion between 4.00-6.00pm; they will offer their views on what is getting signed, what record companies are looking for and what they expect to see from a band before taking them seriously.  
Formerly with Rough Trade, where he signed the Libertines, James Endeacott recently set-up 1965 Records where ‘The View’ became the first act on roster to  secure a number one in the album charts.

What do you look for in a band? Attitude and a beating heart. (James Endeacott)

Bands and musicians are invited to bring in their demo’s for inclusion in the demo jury where the assembled A&R will be using their wide-ranging experiences to offer some instant feedback on your music – again, spaces are extremely limited and CD’s will be selected randomly.
Panellists include –
James and Raf: 1965 Records
Joe Etchells: Universal
Ed Horrox: 4AD
 
Individual one-to-one surgeries
The University of Cumbria, Brampton Road Campus
12.00 – 6.00pm (hourly sessions)
If you are:
  • Artists looking for feedback on their music
  • Bands/musicians who need guidance with management, publicity/marketing/finding gigs
  • People who want basic information on key music areas:- publishing, copyright, contracts
 
Admission is free for all of these sessions but places are limited and subject to advance booking.
Please contact JO to book your space:-
(0191) 245 0099 extension 3
Further information:
Stanwix Arts Theatre & The University of Cumbria, Brampton Road Campus
Brampton Road
CA3 9AY
(01228) 400 300

Posted via email from Iron Man Records

More on Music Copyright Law and how long it should last

I just came across this one whilst looking into the whole Copyright thing again. It is dated July so there may have been some discussion between all parties since then but there is clearly a genuine diversity in viewpoint.

If you have any interest in this, you know what to do.

The piece was described as “A musician’s look at the changing music industry” with Jeff Balke – “…..I’m not a huge fan of copyrights, nor am I a some corporate lackey who wants the world to remain for sale to the highest bidder. But, I do understand the practical nature of capitalism and the human nature of musicians. With all due respect to Andrew Dubber, who I respect immensely, his concept may seem like a great idea in theory. In practice, it would be a creative and logistical nightmare.”

well, would it? Read all about it and think for yourself: http://blogs.chron.com/brokenrecord/2008/07/dubber_copyrights_should_last.html

Posted via email from Iron Man Records

« Older posts Newer posts »