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Gigbeth 2008:another failure or another success?Was it both?What are your thoughts a few months on?

I have resisted the temptation to put my thoughts on Gigbeth 2008 down as I didn’t attend any part of it. I was hoping to hear all the stories, read up on the reviews and look at the pictures but to be honest there hasn’t been much to look at. Perhaps I haven’t looked very far.

Was it a another failure or another success, how do you define failure, how do you define success? Was it a failure and also a success? How was Gigbeth for you? What impact has Gigbeth had? How do you measure an event’s success?

photo

This is the only photo sent in to the Music Network during the event from a member of the public, was it really all that bad?

I don’t think it was. Have a look at this http://www.davepiper.org.uk/music/gigbeth08/gigbethmainlogotilt/

There is a flickr group that people have contributed to here:
http://flickr.com/search/?q=gigbeth&s=rec

Gigbeth Reviews:

4 Talent Magazine http://www.4talentmagazine.com/2008/11/11/4talent-gigbeth-stage-round-up

Birmingham Post  http://www.birminghampost.net/life-leisure-birmingham-guide/birmingham-culture/music-in-birmingham/2008/11/10/guillemots-provide-value-for-month-at-gigbeth-festival-65233-22216579/

Rhubarb Radio http://www.rhubarbradio.com/live/events/archive.aspx

Gigbeth PO Box 14386
Birmingham
B25 9EL
www.gigbeth.com
www.gigbethconference.com

Please send  in your links, photos, reviews and comments on your Gigbeth experience and any suggestions for the future would be most welcome, i feel some evaluation of past events and hopes for future ones may be useful. Your comments please…..

links for 2009-02-01

  • This practice of terminological capture is the stock in trade of lobbyists, especially those employed by the music and movie industries. Thus any unauthorised use of copyrighted materials is always "theft", anyone engaging in file-sharing is a "pirate", and so on. And technical measures introduced by those industries to protect digital content are called "digital rights management" (DRM), a reassuring term implying that the user is managing something that is rightfully theirs. In fact, they are really digital restriction measures whose sole purpose is to constrain the consumer.
  • A spectre is haunting Music — the spectre of Digital. All the powers of old Music have entered into a holy alliance to exorcise this spectre: RIAA and Universal, BPI and EMI, MCPS-PRS alliance and MediaDefender.

    Where is the Artist in opposition who has not been decried as encouraging thievery by its opponents in power? Where is the musician that has not hurled back the branding reproach of pirate, against the more advanced streaming media sites, as well as against P2P networks?

Music “Manifesto of Independence” written by Jonone100 2009

The history of the present King of Music [RIAA] is a history of repeated injuries and usurpations, all having in direct object the establishment of an absolute Tyranny over Music. To prove this, let Facts be submitted to a candid world.

They have persecuted through the courts people guilty of no other crime than the enjoyment of music.

They have treated the Internet with contempt.

They have misused and abused the power of authority by representing their own interests as if they were those of the Creators.

They have attempted to impose their will by nefarious means across national borders so as to bring into submission all people of the Internet.

They have made people afraid to listen to music on the greatest medium of modern times by denying their right to privacy.

They have prevented the free association of music, technology and people by the use of DRM.

They have misrepresented their interests by claiming that they invest in the development of new music whereas in truth their interests are best served by protecting and exploiting those rights which they already own.

They have colluded with broadcasters to feed the audience bland and unhealthy fare whilst themselves getting fat and lazy on the proceeds of their misdeeds.

They have knowingly confused and conflated in the minds of both Artists and the public the seperate and distinct notions of price and value, such that as music’s money price grows its true value declines.

They have, and continue to, put stars in the eyes of our young, fostered their belief in a perverted cause which fetishises money and fame, and then cast them aside empty and desolate whilst continuing to profit from their demise even after death.

They have taken Music, which should be freely shared amongst people to grant them understanding, beauty and truth, and chained it to their own financial destinies constraining the evolution of Music and denying to the people what was freely given.

They make profane, what is sacred.

In every stage of these Oppressions We have Petitioned for Redress in the most humble terms: Our repeated Petitions have been answered only by repeated injury. An Institution whose character is thus marked by every act which may define a Tyrant, is unfit to be the ruler of Music.

Nor have We been wanting in attentions to the music business. We have warned them from time to time of attempts by their legal teams to extend an unwarrantable jurisdiction over us. We have reminded them of the circumstances of our emigration and settlement in cyberland. We have appealed to their native justice and magnanimity, and we have conjured them by the ties of our common kindred to disavow these usurpations, which, would inevitably interrupt our connections and correspondence. They too have been deaf to the voice of justice and of consanguinity. We must, therefore, acquiesce in the necessity, which denounces our Separation, and hold them, as we hold the rest of mankind, Enemies in War, in Peace Friends.

We, therefore, the Representatives of the united independent music artists, in General Cyberspace, Assembled, appealing to the Supreme Judge of the world for the rectitude of our intentions, do, in the Name, and by the Authority of the good People of Music, solemnly publish and declare, That we are, and of Right ought to be Free and Independent Artists; that they are Absolved from all Allegiance to the RIAA, and that all political connection between them and the Old Music Industry, is and ought to be totally dissolved; and that as Free and Independent Artists, they have full Power to write Songs, play Music, contract Alliances, establish Commerce, and to do all other Acts and Things which Independent Artists may of right do. And for the support of this Declaration, with a firm reliance on the protection of divine Providence, we mutually pledge to each other our Lives, our Fortunes and our sacred Honor.

Please express your support for the Declaration by releasing your music so it can be freely shared.

read the rest here: http://jonone100.blogspot.com/2009/01/manifesto-of-independence.html

links for 2009-01-30

  • Sister (or brother) pub to mono, we opened our doors in november 2007 after relocating from the west end to a Charles Rennie MacKintosh building in the city centre. We have quickly established ourselves as a key live venue in the city, club venue and relaxed cafe bar – "at laid-back Stereo the mood is Bohemian and refreshingly non-corporate, always something to be applauded in a city centre where so many of the eating out possibilities are clones or chains."

APNA SANGEET to reunite to RAISE FUNDS TO BUILD SHELTERS FOR HOMELESS CHILDREN IN INDIA AND SRI LANKA, second city suite 100 Sherlock Street Birmingham B5 6LT – Friday 29th May 2009

This is to inform you that after nearly 12 years apart APNA SANGEET have decided to reunite for a very big cause for one performance only to RAISE FUNDS TO BUILD SHELTERS FOR HOMELESS CHILDREN IN INDIA AND SRI LANKA
The name of the charity is BRIDGE OF LOVE TRUST UK reg. charity number 1096302 website www.bridge-of-love.org/

The charity’s focus is on Sri Lanka and to a lesser extent, South India and its main objectives are:
§  To relieve poverty, sickness and distress amongst children and widows.
§  To advance the education of children and young people who are in severe financial need by providing books, equipment and grants

This charity function will take place at second city suite 100 Sherlock Street Birmingham B5 6LT on Friday evening of 29th of May 2009 with buffet Dinner sponsored  by Sukhdev Catering Services

All the original members have put their differences aside for this worthy cause which has captured our hearts and bought us together, with the common aim of raising valuable funds to help those poor, defenseless children, whose plight is the result of the fighting and war in their country. One evening of our time, promises to provide a great night of entertainment for APNA SANGEET fans, plus enables us to raise much needed funds to help the lives of those children who do not have the means of helping themselves.

Obviously, to increase the success of this event and to maximize the funds that we can raise, we need to raise the profile of this event and get as many supporters and sponsors on board. For this purpose, I would appreciate if you would consider putting yourself forward as a formal sponsor by making a contribution and if you could recommend other sponsors who would be interested in supporting, to help promote the event and its cause. I need to have all my sponsors identified ASAP in order to insure that I can include them in my publicity material.
Please  please  please  support this worthy cause from your heart

Any support and help you can provide is welcomed and appreciated.

Call me any time on:
Mobile: 07977 217 319
Or email at arjender@blueyonder.co.uk
Apnasangeetcharityevent29@blueyonder.co.uk

Arjender Kang on behalf of APNA SANGEET

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