- * Is the music download about to consign the CD to extinction?
* Can a radically revamped EMI regain traction, or do its investors and staff risk losing everything this year?
* Against a backdrop of collapsing ad revenues and expanding online alternatives, what is the viability of print music magazines?
* Meanwhile, web music sources like iTunes, Amazon, Nokia and Myspace battle for dominance. and face new rivals.
* The implosion of key distribution channels – including Woolworths and Zavvi – has left the industry facing real challenges. Will consumers be able even to find music on the High Street by the end of 2009?
* Online launches could be the way ahead. or was Radiohead's success a one-off?
* The 360-degree deal, where labels control everything from touring income to merchandise, faces new scrutiny from artists and managers. - An international survey of more than 1300 music fans has found that the music industry is offering them the wrong kind of new music services. In the research conducted by The Leading Question and Music Ally in the UK, US and France, music fans overwhelmingly backed Internet Service Providers as their favoured music supplier when asked to choose amongst a variety of possible providers.
- Announcing record results for 2008 worth over £600m in royalties to UK songwriters, composers and music publishers, the UK collection society also reports a 15% growth in broadcast and online, a 10% growth in public performance sales and a 10% growth in international. Meanwhile, it has also signed various deals with a variety of publishers and Amazon in the UK for its download service.
- The government's long-awaited interim Digital Britain report has just been released [29.01.09]. It's a lengthy document that lays out UK thinking about universal broadband, spectrum reform, and digital radio, but nestled right in the middle of the report is one of the most controversial ideas: a mandatory "code" for ISPs to follow, and the creation of a government "Rights Agency" to help stakeholders deal with the issue of civil copyright infringement online.
- MusicTank, a business development network for the UK music industry, owned and operated by the University of Westminster – it's purpose; to engage with industry, innovation and change across the music business.
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Andy Ward responds to the blog post
Off topic to start with I guess – it is the 1st time we (Musoplex.com) have been mentioned alongside Artisan and Magic Garden outside the phrase ‘a lot louder than….’ or ‘not as posh as…..’ but I am aware Si at Framework Studios is a more than exceptional producer but that is not why I am here (but thanks for the inclusion).
I feel I should establish my lack of credentials here….I have played for over 20 years from empty pubs to 3000 people….I love music, but not all of it – all my formal qualifications (degrees / MPhil) are outside of music – I have only been running my own business for less than two years.
Funding: It hasn’t yet been 18 months since we moved Framework Studios out of the congested basements of Hockley to bigger premises with a vision of creating a small hub of people genuinely interested in music and ALL of its associated artistic and business areas.
I have to say that after 6 months of sheer bloody-minded arguing and some truly mind-numbing blunders we received a 5k Creative Space grant – which was a massive boost for us in year 1. But this is the thing….that 5k went towards relocation, rent, building materials (we built every room ourselves), infrastructure, security, legal and professional fees for 3 people in a 2, 500 square foot business. Now that’s value for money…
However – these types of grants are available for pretty much any start up – but here is the thing: we spent 5k and created a thriving, happy, encouraging, inclusive music playground AND business turning a small profit in year 2 from start up without the wasted hundreds of thousands thrown at most god-awful music programmes and projects in the West Midlands. So – I have to agree, though somewhat hypocritically, that I don’t hold with the principals of the funding either – or at least not under the current system anyway of chucking hundreds of thousands into a bottomless hole and hoping to fill it.
As another aside you have no idea how much bile and anger has started to come back to me just writing about this topic some 18 months after the events over funding. A few people in the end were angels but the rest…and the system….AARGH!!
Having attended several funded and sponsored events over just the past 2 years I remain utterly dumbfounded as to where the money goes or exactly what any funding has hoped to achieve – except for watching some nepotistic, city-centric, self-promoting truly awful nonsense. I attended one with a Bristol arts writer bud and we left half way through both howling with laughter and crying that that is where our money was going – shameful really.
I have reached the point where I consider this to be fast becoming a rant and a tirade against the near-contuniuous stream of a**-holes that you have to wade through only to reach an uninhabited atomic island, stripped of ideas and bereft of a sense of reality (Lost, anybody??). It really shouldn’t be – there are some excellent bands out there, young and old, great promoters, great venues, great times ahead but all of them survive, just about.
There are no paid gigs except for those who turn to the dark side of covers and tributes, there are no easy promotions and many lazy promoters, there are venues looking and needing to make money in a tight and overcrowded market faced by closures that are reluctant to try new music for lack of new crowds or alienation of existing ones.
You do not fix these things by throwing money at them. Good bands will be listened to, good promoters will source good acts and promote them well, some venues will stick by their guns to raise themselves above the others. Sandwell needs a venue, cheap, simple for use by all – what do we get? The Public…shame on you all.
All this can be achieved by small donations and grants, spreading the money around in small packets to those with drive and commitment. Instead – all the huge amounts of money we get assigned goes to a handul of organisations to squander and fritter on self-glorification and the further promotion of expensive white elephants.
Andy ward, Musoplex.com
Just Rock PR is going to be opening up its Japan infrastructure on a more piecemeal basis for use by labels who may have publicity or distribution aspects covered elsewhere, so I wanted to advise you of this for any artists planning to tour that market in the near future.
Basically this would mean that we can assist with basic booking operations, van/driver/interpreter needs, accommodations hook-ups, discounted flight reservations, poster printing/distro, etc., without the previous requirement of full promotions in conjunction.
We hope this will serve to complement the label’s own endeavors when opening this market for your artists and releases, and also provide a support structure which can be passed on to any bands on your roster who may wish to expand their own touring with the “help” of the label.
Let me know if any such plans are currently in discussion, and we can look at availability for you accordingly. Otherwise, keep us on file for anything that may arise down the road, and we’ll be here when the time comes.
Cheers,
Ren Scarab
Director, U.S. Publicity
JUST ROCK PR
2976 WASHINGTON BLVD
CLEVELAND HTS., OH 44118
TEL: 1 (216) 397-5610 [MON-FRI 9AM-5PM EST]
skype: renscarab
publicity @ justrockpr.com
MAIN SITE: http://justrockpr.com
Hi.. the beach party is sorted for this year.. Another 10 days non-stop from the 21st til the 31st of May. Lineup so far is. Jerome Hill, Chris Liberator, HueJahFink, Warlock, NoYeahNo, Miss Pink, Bigga, Dead Man Walking, Savage Rehab, Louise+1, Billy the Kid, Unlikely, DubWreka, Controlled Wierdness, Lusinda, Skarper, Da Boogie, Dom the Bong + many more. Also daily open decks sessions…Gonna be the bollox…again :).. check unsound website for details . we got a couple of network links… Bruno Unsound on facebook and unsoundsystem666 on myspace..or get in touch through beachparty2009 @ unsound-system.org cheers lee
A Message from our man Peter Jenkinson at Music Sector Forum:
I was hoping to arrange a UK Music Sector Forum meeting so we can all catch up.
There is a good option at Liverpool Sound City – May 20th – 23rd where Dave Pichilingi has offered to host (22nd best for me), there is also Go North, Inverness 11-12 June and Doncaster Music Week (20th – 27th of March) and Great Escape, Brighton (14,15,16th May)
Please can you let me know if you plan to attend any of these events, or will be up for coming to Liverpool for a get together in May.
email: contact at musicsectorforum.org.uk