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Musoplex film opinions on Music in the West Midlands

February 2, 2012 in Artists, News, Other, Pitch, Strategy by Mark Badger

Musoplex, a rehearsal and recording studio based in Oldbury, is looking for opinionated creative residents of the West Midlands e.g. promoters, bands, artists and management, to have a chat on video about the state of music in the region.  They have posted a few of their pilots online, filmed and edited by Musoplex Director Andy Ward.

Andy said “Musoplex as a studio and rehearsal rooms hears a lot of opinions as to the good and bad going on in music in the area. We have decided to do something about it, we are documenting views and opinions on film. If you want to offer your own opinions or comments to camera, in no more than a 10 minute interview e-mail andy@musoplex.com.”

Watch the videos for yourself, and if you have something to say, get in touch.

BMN Debate on the future of music in Birmingham

November 24, 2011 in Dialogue, Networking, News, Strategy by andyderrick

A big thank you to those of you we met at tonights Creative Networks event where BMN hosted a debate on the issues surrounding Birmingham City Council developing a music policy.

If you wanted to leave any general comments or thoughts about this debate, please comment below. We also encourage you to take a look at the post ‘Another 10 Questions’ and post your own answers.

BMN returns in January on Thursday 26th at the usual place.

Another 10 Questions for Birmingham’s Independent Music Industry.

October 19, 2011 in News, Other, Pitch, Strategy by Mark Badger

Last year, Birmingham’s Independent Music Industry was asked to answer 10 Questions. In 2011 The Music Network is asking Another 10 Questions to continue the discussion. Replies by email can be sent to: info at birminghammusicnetwork.com

In May 2011 UK Music published “Destination: Music” the first study of its kind to scope the economic contribution of music festivals and major concerts to tourism throughout the UK. You can read all about it at http://www.ukmusic.org/news/post/147-music-tourists-contribute-at-least-864m-a-year-to-the-uk-economy

In recent weeks Emma Williamson (Group Overview and Scrutiny Manager) & Baseema Begum (Research & Policy Officer) at the Scrutiny Office of Birmingham City Council have been in touch. Emma & Baseema sent through several documents that ask a number of interesting questions. Rather than try to answer the questions on your behalf, The Music Network has decided to pass the questions on to you direct. The questions have no deadline for submission, the questions will be open to anyone to answer at any time. Your thoughts and opinions are welcome, at any time. We hope the discussion will continue. For more opinion, consultation and research we have collected together, read through our posts so far in the Strategy category.

If you want to submit your own “Ten Questions” or even just “One new question” please email them in. When we have enough, I’ll post them as “More Questions”. Completed submissions will be published at http://www.birminghammusicnetwork.com unless you state otherwise. Please include your Name, brief biography or information about who you are and what you do, and links to your website or blog. You will be credited as the author of the response. Views from all sides are sought so don’t be afraid to speak your mind. We may learn something. I will invite Emma, Baseema and their colleagues to read your published answers here on the website for themselves.

The following questions have been inspired by the contents of a letter to Birmingham Music Network from Councillor Philip Parkin, Chairman – Leisure, Sport and Culture, Overview and Scrutiny Committee, The Council House, Victoria Square, Birmingham, B1 1BB. (The letter was dated 29 July 2011)

Destination Birmingham: Birmingham, A Music City Read the rest of this entry →

10 Questions for Birmingham’s Independent Music Industry.

March 5, 2011 in News, Other, Pitch, Strategy by Mark Badger

The Music Network invites people with an interest or active role within Birmingham’s Independent Music Industry to answer 10 questions.

There has a been a lot of discussion around these Ten questions. The questions have no deadline for submission, the questions will be open to anyone to answer at any time. You thoughts and opinions are welcome, at any time.

Ten Questions have already been answered by:

Andy Derrick, Keisha Thompson, Jon Cotton, Pam Bishop, Andy Roberts, Ben Calvert.

For more opinion, consultation and research we have collected together, read through our posts in the Strategy category.

If you want to submit your own Ten Questions or even just One new question please email them in. When we have enough, I’ll post them as “Another Ten Questions”.

Completed submissions will be published at http://www.birminghammusicnetwork.com unless you state otherwise. Please include your Name, brief biography or information about who you are and what you do, and links to your website or blog. You will be credited as the author of the response. Views from all sides are sought so don’t be afraid to speak your mind. We may learn something.

Submission by email send to: info at birminghammusicnetwork.com – Thank You.

10 Questions for Birmingham’s Independent Music Industry:

1. In your view, what is the current state of the region’s “Independent Music Industry?”

2. What do you think are it’s immediate needs with reference to the areas that you are most familiar with?

3. As far as the region’s “Independent Music Industry” is concerned, what do you think shows the greatest potential for the next few years?

4. In recent years, there has been a range of initiatives and projects designed to support the development of music in Birmingham. Can you list 5 projects or initiatives that you think have proved beneficial to the “Independent Music Industry?”

5. Can you list any projects or initiatives that you think have proved “of little use or benefit” to the “Independent Music Industry?”

6. With regard to your answers to questions 4 and 5, do you think Birmingham should continue to pursue the idea of more initiatives and projects designed to support the development of music in Birmingham?

7. If you could make any changes to, or include any new ideas for, any “strategy for supporting the development of music in Birmingham” what would your top priorities be?

8. If you were given the task of evaluating whether a project or initiative had been successful, what would you suggest as the best indicators of success, failure, benefit or disaster for the “Independent Music Industry?”

9. As far as your knowledge or understanding of the region’s “Independent Music Industry” is concerned, what are it’s greatest strengths, and what are it’s greatest weaknesses?

10. If you could do anything to “support the development of music in Birmingham” what would you do and why would you choose to do that?

(The term “Region” as far as these questions are concerned refers to Birmingham or the geographic area Birmingham City Council works within.)

I have also quoted a number of existing articles below. Can anyone suggest any other existing articles that the group should read and consider that may have been omitted?

A DIGITAL AND CREATIVE INDUSTRIES ACTION PLAN http://birminghammusicnetwork.com/2008/03/06/a-digital-and-creative-industries-action-plan/

The people who control the Funding are damaging the Creative Industries in The West Midlands by Anthony J Hughes http://birminghammusicnetwork.com/2008/06/12/the-people-who-control-the-funding-are-damaging-the-creative-industries-in-the-west-midlands/

Birmingham Twinned with Your Darkest Thought? by Mark Iron Man Records http://birminghammusicnetwork.com/2008/11/10/birmingham-twinned-with-your-darkest-thought/

A Year later – Perspectives on the West Midlands Music Industry – Scott Roe, Solar Creations http://birminghammusicnetwork.com/2008/11/10/a-year-later-perspectives-on-the-west-midlands-music-industry-scott-roe/

What is your view of the West Midlands’ music industry? by Mark Iron Man Records http://birminghammusicnetwork.com/2009/02/03/what-is-your-view-of-the-west-midlands%E2%80%99-music-industry/

A Vision for the Music Industry in the West Midlands by Clare Edwards June 2008 http://birminghammusicnetwork.com/2009/02/03/a-vision-for-the-music-industry-in-the-west-midlands-by-clare-edwards-june-2008/

Another view of the West Midlands’ music industry and FUNDING by Andy Ward http://birminghammusicnetwork.com/2009/02/10/andy-ward-another-view-of-the-west-midlands%E2%80%99-music-industry-and-funding/

Countercultural Capital & the Creative Economy – How do 1990s DiY Music ‘Entrepreneurs’ talk about the contemporary music business?” by Charlotte Bedford 2008 http://birminghammusicnetwork.com/2009/06/04/countercultural-capital-the-creative-economy-how-do-1990s-diy-music-%E2%80%98entrepreneurs%E2%80%99-talk-about-the-contemporary-music-business-by-charlotte-bedford-2008/

Funding the Creative Industries by Andy Derrick 13th Feb 2009 http://birminghammusicnetwork.com/2009/02/13/funding-the-creative-industries-by-andy-derrick-13th-feb-2009/

The Scottish Music Industry Association(SMIA) – launched at Go North conference http://birminghammusicnetwork.com/2009/07/21/the-scottish-music-industry-associationsmia-launched-at-go-north-conference/

Redefining the Music Industry – A public consultation on the future shape, needs, direction and ambitions of the music industry. http://birminghammusicnetwork.com/2009/09/10/redefining-the-music-industry-a-public-consultation-on-the-future-shape-needs-direction-and-ambitions-of-the-music-industry/

National Survey and Mapping Exercise assessing provision & scope of music support work across UK 2009 http://birminghammusicnetwork.com/2009/09/22/national-survey-and-mapping-exercise-assessing-provision-scope-of-music-support-work-across-uk-2009/

How does Iron Man Records choose it’s artists and how does it promote them? http://birminghammusicnetwork.com/2009/11/28/how-does-iron-man-records-choose-its-artists-and-how-does-it-promote-them/

your comments please…..

cheers Mark – The Music Network, January 2011

‘Playing on a Level Playing Field’ – by Jim Mawdsley

October 10, 2010 in News, Other, Strategy by Mark Badger

The MDA is proud to publish the first in a series of campaign papers penned by its membership, with the first being an inspired discussion regarding music development in the UK.

Our aim is to raise the visibility and sector awareness of important issues affecting music business growth and sustainability. There are also campaign papers in the pipeline covering areas such as:- International events / conventions – collective logistics and economies of scale?- Bulk Visa arrangements and finance for conventions / trade ventures.?- Local / Independent Radio Support

Here is the link to download the pdf to read: ‘Playing on a Level Playing Field’ – by Jim Mawdsley

There has been some media coverage so far with more on way:

MUSICWEEK – http://www.musicweek.com/story.asp?sectioncode=2&storycode=1042070

UNSIGNED GUIDE – http://www.theunsignedguide.com/news/1174/paper-published-on-music-development/

Please contribute to the discussion by commenting below.

IRISH MINISTER FOR COMMUNICATIONS PROMISES ROUNDTABLE TALKS ON ILLEGAL FILE-SHARING AT THE MUSIC SHOW IN DUBLIN

October 8, 2010 in News, Other, Strategy by Mark Badger

Irish Minister for Communications, Eamon Ryan, has announced a commitment to holding roundtable talks on the issue of illegal filesharing, involving representatives from the Government, the music industry and the internet service providers (ISPs).

Speaking at The Music Show, run by Hot Press Magazine in Dublin, he stated that the talks will begin before the end of this month with the aim of negotiating a solution to the problem of illegal filesharing, without further recourse to the courts.

IRMA, the representative body of the record companies, has already negotiated a ‘three strikes and you’re out’ arrangement with Eircom. However, so far the rest of the ISPs have refused to reach a similar agreement, insisting that they should not have to take responsibility for the illegal actions of their customers.

The Minister made his unexpected announcement when he participated in a heated panel discussion on the Communications and Music: How Can We Ensure That The Piper Is Paid? – And Other Important Matters of Public Policy at The Music Show. A host of industry heavyweights including singer songwriter Paul Brady, Sharon Corr, CEO of SEG Entertainment division Marc Marot, Warner Music Europe CEO John Reid and Victor Finn, CEO of the Irish Music Rights Organisation urged the Minister to take action immediately to tackle illegal downloading.

The Music Show, Ireland’s national Music Exhibition and Forum is run by Hot Press magazine. For more information contact Louise Zayed at Hot Press on + 353 (0)1 241 1500 or + 353 (0)86 878 7112 or email louise@hotpress.ie

SHARON CORR DENOUNCES IRISH GOVERNMENT’S INACTION ON ILLEGAL FILE-SHARING

Debate at The Music Show in Dublin sparks anger among artists and record companies

Sharon Corr has denounced the Irish government for their neglect of artists’ rights in relation to the illegal downloading of music.

Emotions ran high at an explosive debate at The Music Show in Dublin on Saturday (3rd October 2010), in which the Irish Minister for Communications, Energy and Natural Resources, Eamon Ryan TD took part alongside SEG’s Marc Marot, Victor Finn (Chief Executive, IMRO), Paul Brady & Louis Walsh.

In a lively question and answer session, the Corrs’ violinist – who has just released her solo debut on Warner Music worldwide – spoke from the floor and was highly critical of what she called the Government’s “laissez faire” record on artists’ rights.

“I just recorded an album. I employed a producer, a studio, I paid the orchestra to come in, the guy who did the score,” she told the Minister. “I don’t understand why they get paid and I don’t get paid (by people who download the album). It’s a basic right to be paid for your work.”

On the Government’s inaction in relation to illegal downloading, she was clear in her condemnation. “I feel the government have a very laissez faire approach to the whole thing,” she said. “Implementation needs to happen. A Digital Economy Act needs to be brought in to Ireland. Legislation needs to be put through and implemented.”

John Reid, CEO of Warner Music Europe, also spoke from the audience. He was openly sceptical of plans unveiled by the Minister during the debate, for talks involving the ISPs, expert academics and other interested parties. Reid said that this would be a protracted and probably ineffective talking shop.

“Don’t get a bunch of guys from my old university,” said Reid, who was Ents Officer in Trinity College in the 1980s. “It’ll take a year and you’ll be out of office by then. Move now and follow your nose.”

Reid urged the Minister to roll out the three strikes rule to all ISPs. “In Sweden, the introduction of a new law was enough to make sure music sales grew in a year. Put a law in place. It doesn’t hurt the ISPs,” said the record company boss.

Under Swedish law, the ISPs must give the address of people suspected of copyright violations to the copyright holders – a move which resulted in a drop in illegal file-sharing of between 40% and 50%. Over the same period in 2009, following the introduction of the law, record sales increased by 14%, while sales online increased by 57%.

The Music Show is run by Hot Press Magazine.

*WHAT OTHER PANELLISTS HAD TO SAY*

Victor Finn of IMRO Speaks Out
* Speaking as a member of the panel, Victor Finn, CEO of the Irish Music Rights Organisation (IMRO) called on the Minister to introduce legislation to make the ISPs responsible for illegal actions carried out on their networks. This would effectively force the ISPs to police their users and crack down on illegal filesharers.

In Ireland, only one ISP, Eircom, following protracted negotiations with the Irish Recorded Music Association, has voluntarily introduced a ‘three strikes and you’re out’ rule against serial downloaders. The first warning letters have been sent out to Eircom customers over the last couple of weeks, Finn stated.

“We have sought the co-operation of the ISP industry,” Finn who was part of the IMIR (Irish Music Intellectual Rights) stand at the show, stated. “Apart from Eircom, who have introduced a graduated response measure, the rest of the industry have to be dragged kicking and screaming to the table.

“You have a role in encouraging ISPs to be responsible for what they carry,” he said to the Minister. “You have the power to regulate that industry. ISPs operate in Ireland by way of government licence. You have the power to implement terms and conditions in those licences that ensure those ISPs are responsible for what goes up on their networks,” Finn told the Minister.

Minister Ryan refuses to commit
But Minister Ryan refused to commit to tackling the issue through legislation, citing the high number of jobs in the computer industry. The Minster argued that if the music industry and the ISPs would co-operate, this would be much more effective.

“Let’s actually meet and have some sort of consultative space,” the Minister said, “where you can have both computing industries or ISP industries and musical industries sitting down and sharing some ideas, not just to do it through the courts, but to do it the smarter way, collaboratively.

“I would hope to have such a forum in place by the end of this month, in the hope of taking that sort of approach, rather than just a legalistic approach,” he told the audience.

Marc Marot of SEG Joins The Fray
* Marc Marot, CEO of the entertainment arm of the powerful Sports Entertainment Group (SEG), speaking at The Music Show in Dublin, said he was in favour of the UK’s Digital Rights Act and the three strikes rule, adding that without the ISPs it was impossible to protect artists.

Marot, formerly MD with Island Records, gave a damning example of the impact of illegal downloading to the conference. He explained that SEG have a successful trance act on his books with a fanbase of 14,000. The band recently shifted 4,000 copies, or £15,000 worth of its LP on the day it went on sale. On the same day, Marot and the band monitored 17,000 bit torrents going out illegally, equal to £150,000 worth of turnover.

“That band effectively wasted an entire year of endeavour, and all of that thought, energy and investment of money they made from touring. Effectively they just watched it disappear down the toilet. That’s what happens if governments don’t get involved, and they don’t use their powers to legislate. It’s easy to talk about U2, but it’s just the small bands coming up that are suffering,” he said.

Musician Paul Brady Appeals for One Strike Policy
* Folk legend Paul Brady was also highly critical of the lack of Government action in relation to illegal filesharing.
“If I hear anyone else in Government saying the arts will get us out of our present difficulties, I think I’ll scream,” Brady told Irish Communications Minister Eamon Ryan, on a panel at The Music  Show, to applause from the audience.

You seem to expect us artists to be cultural ambassadors and work for nothing. Three percent of people, in the last report, in this country think artists should be paid for their work,” Brady said. “I don’t know why we’re talking about three strikes. It is against the law. Why isn’t it one strike and you’re charged?”

The Music Show is run by Hot Press magazine. For more information contact Louise Zayed at Hot Press on (01) 241 1500 or (086) 878 7112 or email louise@hotpress.ie

Andy Derrick on why Birmingham Music Network should be funded by A.W.M.

June 14, 2010 in News, Other, Strategy by Mark Badger

Andy Derrick has written an interesting piece on why Birmingham Music Network should be funded by AWM.

Andy starts by saying “I have the great pleasure of frequently attending and sometimes chairing the Birmingham Music Network. For those of you that don’t know, the BMN meets on the last Thursday of each month inside the TEE, a faculty of Birmingham City University at Millennium Point, Curzon Street, Birmingham.  

The network also has a dynamic online presence here: http://birminghammusicnetwork.com

It was set up by Mark Sampson and Anthony Hughes some time ago and is run on a voluntary basis. It meets an average of 20 people each month providing advice, support and a place to meet others and make good contacts. Businesses represented include sound engineers, singers, songwriters, radio dj’s, studio owners, performers, music students, media consultant, venue owners, gig promoters and everyone from across the music industry spectrum in the West Midlands.

The website and the network are vital parts of the local music scene, in my opinion, but it could do more. Imagine a world where the website is continuously updated by a team of dedicated experts, where less time was spent finding a sponsor for some tea and coffee and more on promoting the meetings to the people that need them, where there was a budget to advertise effectively, where the volunteers were paid a modest amount to cover their time and expenses. Imagine what could be achieved.  It could be achieved with some financial support.”

Other pearls of Andy here: http://andyderrick.co.uk

UK Music are looking for established music businesses in the North East who have approached banks for business finance

May 8, 2010 in News, Other, Strategy by Mark Badger

Here’s a message from our friends at generator. This is aimed at those operating in the North East but it raises some interesting points that may be useful to you wherever you are based.

“Our friends at UK Music are looking for established music businesses in the North East who have approached banks for business finance. ?Experience from across the industry suggests that this is hard to obtain and UK Music would like to make a case to the Government on behalf of the industry to request additional support in dealing with banks.

If you have been successful in obtaining finance for your business from the banks, UK Music would still like to hear from you as they would like to present a number of case studies.

Please read the letter below and forward your responses to info at ukmusic.org with your name, business and telephone number.”

Thank you.
Damian Baetens ?Director – Business Development?Generator
www.generator.org.uk

Read the letter here: http://farm5.static.flickr.com/4023/4588947573_e1d06e968b_b.jpg

uk music letter May 2010

Mark from Iron Man Records interviewed by Katy Jay at Musoplex March 2010

April 3, 2010 in News, Other, Strategy by Mark Badger

Mark from Iron Man Records interviewed by Katy Jay, unsigned music champion from 101.8WCRfm in Wolverhampton.

Musoplex describes Mark Badger as “…..Head of one of Birmingham’s most loved and influential independent record labels…..Iron Man Records have released music from grindcore to punk and anti-folk over the last 15 years. Hear Mark’s views on bands, recording, touring and being the head of a label. The interview features footage of …..punk band Police Bastard, Anti-folk New Yorkers Dufus and Last Under the Sun.”

Mark talks about Police Bastard and Trogg, Tape Trading and life before filesharing and the Internet, touring with a band on a budget you can stick under a glass, the idea of giving bands a small amount of help at a critical time, Robert Lloyd and The Nightingales, how the label got involved with Seth and Dufus and he talks about his own band called Last Under The Sun.

Here’s a direct link: http://blip.tv/file/3407655

Feedback on 10 Questions for Birmingham’s Independent Music Industry

March 15, 2010 in News, Other, Strategy by Mark Badger

Here is some feedback on your answers to “10 Questions for Birmingham’s Independent Music Industry” from Sue at Birmingham City Council.

Sue says: Councillor Ernie Hendricks and James Burkmar have asked me to forward the email below on their behalf.

Dear Colleague

In the interests of staying in touch with you all.

Following on from our event last month at the Orange Studios (and thanks again to all those who attended), we are completing a number of short interviews with people to finish this stage of the consultation.

A clear picture is emerging of strengths, specialism, opportunities and needs across the city.

On Monday 22nd February, we held a similar event to the one with the stakeholders. We won’t go into it now, but the attendance from Birmingham City Council, Advantage West Midlands, UKTI, Business Link and others was excellent. The session was forward-looking, open and honest.

What we would like you to know is that the ideas and thoughts you expressed proved to be a powerful critical stimulus for their thinking – attendees found the session useful and were candid about how their thinking had been informed, with some saying openly their view of the sector had changed as a result. The value of dialogue perhaps…

In essence, the sector came across as positive in the extreme, ambitious, innovative, entrepreneurial and balancing a strong artistic and commercial focus.

What happens now?

It will take about a month to complete a short and hopefully punchy report which will make recommendations for action and development.  You will be provided with copies.

We are sure you’re aware, but both Birmingham Music Network and Capsule are running surveys/blogs related to this area of interest – please contribute to the discussion if you feel able.

Regards
James Burkmar and Councillor Ernie Hendricks
Planning, Evaluation, Facilitation – Joining things up for the Creative Sector
(James 07736 709350)

How can the Traditional Record Shop be saved? 7 questions for Music Consumers 2010

March 14, 2010 in News, Other, Strategy by Mark Badger

here is an interesting request just in…..and with reference to recent news of record shop closure in the region…..

The message reads: “I’m looking into ways to bring back the traditional record shop. I used to love finding loads of jems and taking home a physical record which I would spend lots of time listening to and enjoying very much. Times have changed and few record shops still exist (at least ones with goods records in). So, I have a few questions about stores and I hope with a little research I can generate a way forward out of my rut. If you can spare 2 mins to leave any comments below it would be really really helpful. Thanks for your time.”

1 – “What do you love about record shops?”

2 – “What do you hate about records shops?”

3 – “What are your attitudes towards record shops?”

4 – “What are your attitudes towards online record shops or stores?”

5 – “What influences you to purchase at traditional record stores?”

6 – “What influences you to purchase from an online shop or store?”

7 – “If you had any words of wisdom to pass on to a record shop, that is still in business despite the growth of online music consumption, what would it be?”

Please leave your comments below or email your completed answers to info at birminghammusicnetwork.com and I will pass them on. cheers.

How can Government help creative entrepreneurs? What questions would you ask Policy Advisors on this issue?

February 28, 2010 in News, Other, Strategy by Mark Badger

Clare Edwards would like you to send her YOUR views, opinions and questions to put to some senior civil servants at Downing Street on the subject of How can Government help creative entrepreneurs?”

Clare says on her blog: “Well the latest opportunity is a chance to go to Downing Street next week to talk with senior civil servants (and possibly the odd policy advisor or Minister) in a 90 minute session to tell Government how they can better help creative entrepreneurs and where things are working and where are they failing.

I thought it would be interesting to see what questions you think I should be asking and in general what sort of constructive messages you think this group of policy makers and shapers should hear from creative businesses.

I’m not the only person who has been asked by the British Council to do this but I’m probably the only person from the the West Midlands so if you have ideas of how the government could help creative businesses in the future – leave me some comments and I’ll let you know which points I take with me and how I get on…

I have my own ideas on this but I’d love to go along with a broader understanding of the ideas, struggles and questions that others in the sector have. As you know I go with a music hat on personally but I think some of the issues for music are the same for other ‘creative industries‘. So if you run a creative business and think there is a burning issue I need to be aware of when I walk into Number 10 – let me know!

I’m going next Wednesday so you can suggest ideas right up to that time so…. I can take them with me!”

I’ve been reading with interest some of the comments already submitted including comments from Stef Lewandowski, Sarah Habgee, Nick Dunn, Ed King, Nick Booth, Dave Harte,  Norman Perrin, Robin Valk, and others. You can add your own comments, ideas or submit your questions to Clare Edwards here

Clare Edwards is a freelance music consultant and event organiser – she has run Gigbeth over the past few years, works with Soweto Kinch Productions, conducts Notorious and is a Chair of Sound It Out. Clare is involved with the board of Arts Council England WM, Moby Duck and is a Chair of Governors at a local primary school. In between Clare has found time to lead The Music Network monthly meeting and she sings with Ex Cathedra.

10 Questions for Birmingham’s Independent Music Industry answered by Ben Calvert

February 9, 2010 in News, Other, Strategy by Mark Badger

1. In your view, what is the current state of the region’s “Independent Music Industry?”

There are a small percentage of clued up people, building local, national and international networks, in order to create and market music in the face of adversity.

2. What do you think are it’s immediate needs with reference to the areas that you are most familiar with?

To create sustainable, (ie NOT an acoustic night every night of the week in every pub), live music events where the acts, promoters, and venues all benefit equally in terms of financial remuneration, (pay), and where new audiences are developed.

3. As far as the region’s “Independent Music Industry” is concerned, what do you think shows the greatest potential for the next few years?

Strong, trusting networks that work via the “You scratch my back and I’ll scratch your’s” theory.

4. In recent years, there has been a range of initiatives and projects designed to support the development of music in Birmingham. Can you list 5 projects or initiatives that you think have proved beneficial to the “Independent Music Industry?”

Creative Pathways showed some potential. As someone who helped run a course under it’s umbrella, I might be biased! However, I’ve recently met people who went on the course, and they have developed as working musicians as a result of it, benefiting from modules on Self-Promotion using New Media, and Recording Techniques.

5. Can you list any projects or initiatives that you think have proved “of little use or benefit” to the “Independent Music Industry?”

Gigbeth – At the first one, at the opening ceremony, there were more people in the form of the band, the staff and security than there were in the audience. Many of the stewards were from London, so they had no local knowledge to help people get from one stage to another etc.

ArtsFest – There’s always a huge song and dance about how it’s Britain’s biggest festival. Is biggest best? There is a patronizing assumption that from the start of the booking procedure that acts will play for free, (payment or non-payment is never mentioned at all). If the event is meant to be for the benefit of artists, then how about sending out well-designed, well-branded press pack to relevant industry people?

The publicity for ArtsFest is shocking-The website held info for the 2008 event until a WEEK before the 2009 event. And the design elements-They use Clip Art!!!!! For the biggest festival in the UK…

6. With regard to your answers to questions 4 and 5, do you think Birmingham should continue to pursue the idea of more initiatives and projects designed to support the development of music in Birmingham?

Yes, definitely. But Birmingham City Council should identify and consult music event organisers to run the events who have proven experience in booking artists, designing and distribution of publicity, dealing with venues and everything that goes with running events.  Or at least, they should work in conjunction with them, employing them as well-paid consultants.

7. If you could make any changes to, or include any new ideas for, any “strategy for supporting the development of music in Birmingham” what would your top priorities be?

With regards to festivals like ArtsFest, my suggestion would be:

Contact The Drum, Capsule, Bohemian Jukebox, The Other Woman’s Club, Moseley Folk Festival, leftfoot, Birmingham Promoters and Seven Inch Cinema, and identify some others. Give each a budget to run a stage. Between them they have the experience and know-how to make it work.

8. If you were given the task of evaluating whether a project or initiative had been successful, what would you suggest as the best indicators of success, failure, benefit or disaster for the “Independent Music Industry?”

Did the project improve the long-term earning capability of the artists involved?
Were audiences introduced to art that they would not have usually encountered?
Did people walk away with enriched souls?
Was art of a high standard created?

9. As far as your knowledge or understanding of the region’s “Independent Music Industry” is concerned, what are it’s greatest strengths, and what are it’s greatest weaknesses?

The strengths are that there are some truly amazing bands. The weakness is that the bands are often self-deprecating (A Birmingham ‘tradition’), dis-organised and unable to understand the theory of supply and demand for their music.

10. If you could do anything to “support the development of music in Birmingham” what would you do and why would you choose to do that?

I ran 180 live Post-folk, Anti-Folk, and Alt-Folk music events between October 2003 and January 2010. (Bohemian Jukebox). I thought that might be enough to support the development of a certain type of music in Birmingham, and it was for a while.

I chose to do that because there was a need for well-organised music events for acts playing those genres.

I’m now concentrating on Bohemian Jukebox Recordings to bring some of Birmingham’s music talents to an international audience. I’ve chosen to do that, as I’d now rather concentrate on developing a few acts of quality via the power of recorded media, rather than dealing with lots of acts in the context of live music events.

Ben Calvert

The Music Network was contacted in January 2010 by a group drawn from Birmingham City Council and the Arts Council England to begin to determine an overview of the current state, needs and potential of the “Independent Music Industry” in Birmingham.

The Music Network invites people with an interest or active role within Birmingham’s Independent Music Industry to answer 10 questions.

If you wish to get involved read 10 Questions for Birmingham’s Independent Music Industry and send your completed responses by email to: info at birminghammusicnetwork.com – Thank You.

Simon Howes has created an easy to use google survey for these questions here too.

All completed questions will be published here unless you state otherwise. Please be sure to include your full Name, brief biography or information about who you are and what you do, and any links to your website or blog so you can be credited in full as the author of the response. Views from all sides are sought so don’t be afraid to speak your mind. We may learn something.

10 Questions for Birmingham’s Independent Music Industry answered by Andy Roberts

February 5, 2010 in News, Other, Strategy by Mark Badger

1. In your view, what is the current state of the region’s “Independent Music Industry?”

Great pool of talent with extremely creative people working very hard to make amazing music and projects with little recognition from outside of their small pockets.

2. What do you think are it’s immediate needs with reference to the areas that you are most familiar with?

Record labels that have competent distribution and marketing / advertising / plugging support.

3. As far as the region’s “Independent Music Industry” is concerned, what do you think shows the greatest potential for the next few years?

Hopefully labels such as Bigger Than Barry Records, Ondryland, Speech Fewapy Records, and any other small labels that are nurturing local talent and managing to sustain themselves

4. In recent years, there has been a range of initiatives and projects designed to support the development of music in Birmingham. Can you list 5 projects or initiatives that you think have proved beneficial to the “Independent Music Industry?”

Not sure if these count but the work of:

Bigger Than Barry for bringing cutting edge, fashionable acts to the city and taking Birmingham on tour. Also packing out every event they promote.

This is Tommorrow for putting on shows for alternative acts that are touring nationally and billing local artists with them to help nurture audiences

The Rainbow Pub for giving Birmingham a quality small and mid size independent venue and cultural hub.?Capsule for offering a vibrant, left field alternative brand of events and Supersonic.

Moseley Folk Festival for being generally ace and offering local acts a channel to perform on the same bill as mainstream artists, especially Ben Calvert’s Bohemian Jukebox Stage.

Also Oxjam Festival, Cold Rice and Chicks Dig Jerks deserve mentions.

5. Can you list any projects or initiatives that you think have proved “of little use or benefit” to the “Independent Music Industry?”

Gigbeth – poorly curated. For something as ambitious and potentially amazing, it falls flat due to weak line ups. Does not give a good impression of Birmingham to the outside looking in, especially when Camden Crawl, Nottingham’s Dot to Dot, Brighton’s Great Escape and Manchester’s In The City are widely commended.?Give Bigger Than Barry, Chicks Dig Jerks, This is Tomorrow, Moseley Folk, Cold Rice and Capsule a budget to put on the festival – they are all experienced and have kudos.?(I realise that there are more promoters / events companies doing fine work in other genres, but these are the ones I am familiar with)

6. With regard to your answers to questions 4 and 5, do you think Birmingham should continue to pursue the idea of more initiatives and projects designed to support the development of music in Birmingham?

Yes, but re: point 5 give it to people who can make the city desirable, dare I say ‘cool’?

7. If you could make any changes to, or include any new ideas for, any “strategy for supporting the development of music in Birmingham” what would your top priorities be?

Support for small independent record labels in the form of advice from experienced and respected mentors from their respective genres.

8. If you were given the task of evaluating whether a project or initiative had been successful, what would you suggest as the best indicators of success, failure, benefit or disaster for the “Independent Music Industry?”

Whether an event is well attended or not is a signal of success or failure and whether a record label could sustain itself would be a measure.

9. As far as your knowledge or understanding of the region’s “Independent Music Industry” is concerned, what are it’s greatest strengths, and what are it’s greatest weaknesses?

The artists are the greatest strength we have.
Perhaps weaknesses are a lack of direction or focus from these talented individuals due to a lack of support from a local ‘industry’.

10. If you could do anything to “support the development of music in Birmingham” what would you do and why would you choose to do that?

Plug alert: I try to by shouting about the bands and promoters that I love in national press (The Fly) and my local Blue

Whale music blog. So anything involving writing.

Andy Roberts 

The Music Network was contacted in January 2010 by a group drawn from Birmingham City Council and the Arts Council England to begin to determine an overview of the current state, needs and potential of the “Independent Music Industry” in Birmingham.

The Music Network invites people with an interest or active role within Birmingham’s Independent Music Industry to answer 10 questions.

If you wish to get involved read 10 Questions for Birmingham’s Independent Music Industry and send your completed responses by email to: info at birminghammusicnetwork.com – Thank You.

Simon Howes has created an easy to use google survey for these questions here too.

All completed questions will be published here unless you state otherwise. Please be sure to include your full Name and any links to your website or blog so you can be credited in full as the author of the response. Views from all sides are sought so don’t be afraid to speak your mind. We may learn something.

10 Questions for Birmingham’s Independent Music Industry answered by Pam Bishop

February 4, 2010 in News, Other, Strategy by Mark Badger

1. In your view, what is the current state of the region’s “Independent Music Industry?”

Currently it seems to attract people who use a lot of sound engineering with their music – we don’t hear so much about the natural sounds of singers and musicians.
2. What do you think are it’s immediate needs with reference to the areas that you are most familiar with?

Lack of good venues.  Singers and musicians need good venues to perform, which are easy for their audiences to get to, and comfortable for both performers and audience.  Since the demise of pub rooms, such venues are more and more difficult to find.
3. As far as the region’s “Independent Music Industry” is concerned, what do you think shows the greatest potential for the next few years?

Getting children involved in music and singing – these will be the musicians of the future

4. In recent years, there has been a range of initiatives and projects designed to support the development of music in Birmingham. Can you list 5 projects or initiatives that you think have proved beneficial to the “Independent Music Industry?”

Sound It Out
Gigbeth
Sing Up (CBSO)
5. Can you list any projects or initiatives that you think have proved “of little use or benefit” to the “Independent Music Industry?”

6. With regard to your answers to questions 4 and 5, do you think Birmingham should continue to pursue the idea of more initiatives and projects designed to support the development of music in Birmingham?

Yes please, more Sing Up projects would be great

7. If you could make any changes to, or include any new ideas for, any “strategy for supporting the development of music in Birmingham” what would your top priorities be?

Training for teachers so they are more confident in delivering music and singing in their schools.  Giving them resources so they can bring musicians and singers into schools.

8. If you were given the task of evaluating whether a project or initiative had been successful, what would you suggest as the best indicators of success, failure, benefit or disaster for the “Independent Music Industry?”

Has the project raised skills levels amongst its participants?
Has it increased audience participation?

9. As far as your knowledge or understanding of the region’s “Independent Music Industry” is concerned, what are it’s greatest strengths, and what are it’s greatest weaknesses?

10. If you could do anything to “support the development of music in Birmingham” what would you do and why would you choose to do that?

Continue to run folk music events and training, because our traditional music and song is valuable and relevant to people in the 21st century

Pam Bishop

The Music Network was contacted in January 2010 by a group drawn from Birmingham City Council and the Arts Council England to begin to determine an overview of the current state, needs and potential of the “Independent Music Industry” in Birmingham.

The Music Network invites people with an interest or active role within Birmingham’s Independent Music Industry to answer 10 questions.

If you wish to get involved read 10 Questions for Birmingham’s Independent Music Industry and send your completed responses by email to: info at birminghammusicnetwork.com – Thank You.

Simon Howes has created an easy to use google survey for these questions here too.

All completed questions will be published here unless you state otherwise. Please be sure to include your full Name and any links to your website or blog so you can be credited in full as the author of the response. Views from all sides are sought so don’t be afraid to speak your mind. We may learn something.