Tag: created in birmingham (Page 10 of 15)

Dominic McGonigal PPL Director of Government Relations launches blog on the copyright term directive

I don’t know if you are aware, but Dominic McGonigal, our Director of Government Relations just launched a blog concentrating on the progress of the copyright term directive and the surrounding debate. We have had a huge amount of interest in this subject from our performers (38,000 of them!) and there is of course wider interest in the debate. The particularities of the European process leads to an unusual unfolding of the story, one that must be told for all the performers who as I’m sure you know, are currently treated as second class creators.

Please feel free to use material from the blog. Equally, we would be very interested in any information or viewpoint you might want to contribute to this particular saga.

You can find Dominic’s blog at: http://dominicseuroblog.wordpress.com/

-Dan.

DAN MELLINS
Web Editor

PPL
1 Upper James Street, London W1F 9DE

What is your view of the West Midlands’ music industry? by Mark Iron Man Records

What is your view of the West Midlands’ music industry? In particular, what are our strengths and weaknesses?

Here’s something I wrote in 2007, if anyone would like to take the title of this blog post and write their own version then please do, the more thoughts and opinions the better. I don’t know it all, I am only familiar with my small area of activity within the so called “Music Industry.”

Written by Mark Iron Man Records, Birmingham, June 2007

Wikipedia defines the Music Industry as “the business industry connected with the creation and sale of music. It consists of record companies, labels and publishers that distribute recorded music products internationally and that often control the rights to those products. Some music labels are “independent,” while others are subsidiaries of larger corporate entities or international media groups. The world music market is currently dominated by the “big four” record groups, Sony BMG, EMI, Universal and Warner, each of which consists of many smaller companies and labels serving under different regions and markets.“ (see http://en.wikipedia.org/wiki/Music_industry) As far as the West Midlands is concerned, I would suggest that The music industry is a term most people use to describe a range of music-related businesses and organisations including community groups and not-for-profit organisations and others such as Musicians’ Unions and writers’ copyright collectives and performance rights organisations.

In order to look at the West Midlands Industry I sometimes find it helpful to imagine what the “West Midlands Music Industry” might consist of (in general terms) in a simplistic, imaginary world and then look to see if this is demonstrated to be true in practice.

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Cubans to record new single at Framework Studios, part of Musoplex.com

Over the next week the Cubans will be recording a new AA single with Head Producer Si Reeves at Framework Studios – part of the Musoplex family of music lovers.

Please Don’t Start Again is in a style that has got them recognised across the Midlands and beyond as a distinctive indie band that stands head and shoulders above the crowd.

Face to Face will see a slightly heavier leaning with a departure from other material and a bass-driven monster-beat of a song that has been the star of recent live performances.

The success of the last single (now sold out on hard copy but available on iTunes) and the remastered album of earlier work saw them sell out the Little Civic in Dec 2008 and get a joint headline in March 2009 (7th!!) with the legendary reformed Bluetones.

The new single will be released in time for their biggest gig to date but just so you know what you might miss – the review from the Little Civic….
The rise continues…

RYANS GIG GUIDE – ISSUE JAN 09 – REVIEW “LITTLE CIVIC GIG”
Early on it was clear to see why they are called The Cubans. The Latin feel to the music, combined with some harder guitar riffs was a unique sound base which instantly draws you to them. Song titles, such as ‘Ron’s last Act’ and ‘Women Tennis’ are especially quirky, and apparently the latter is best not questioned! During the 45 minute set, the band treated us to a first live hearing of new track ‘Flow’ with quick fire vocals and an addictive bass line. Most enjoyable and reflective of range was ‘I Don’t Want To Know’ which had the big boned man in front of me waggling stuff I didn’t need to see, and the whole room bouncing happily. There is a cultural feel to their verses, flattered by catchy choruses and an eclectic mix of influences to ensure each track is different. On stage, the band play as a solid unit, with a clear respect for each other’s input and space. There was great movement by the band and some of the gutsiest bass playing I’ve heard in years. They looked comfortable on stage with a performance that reflected their touring experience, whilst showing no arrogance. Many bands brag to love what they do, but few prove it so intensely. This band is not to be missed!

The culinary delights from Mr Sizzle brought my evening to an end, with The Cuban’s excellence still ringing in my ears. There were many surprises and I give thanks to whoever it was that recommended The Cubans to me. Breaking news is that they are set to headline at The Wulfrun in March, so there’s an opportunity for you, but don’t leave it too late as this band have a reputation for selling out wherever they play. I’ll be front row with my glow sticks.” Meriel Flavell 2008

Gigbeth 2008:another failure or another success?Was it both?What are your thoughts a few months on?

I have resisted the temptation to put my thoughts on Gigbeth 2008 down as I didn’t attend any part of it. I was hoping to hear all the stories, read up on the reviews and look at the pictures but to be honest there hasn’t been much to look at. Perhaps I haven’t looked very far.

Was it a another failure or another success, how do you define failure, how do you define success? Was it a failure and also a success? How was Gigbeth for you? What impact has Gigbeth had? How do you measure an event’s success?

photo

This is the only photo sent in to the Music Network during the event from a member of the public, was it really all that bad?

I don’t think it was. Have a look at this http://www.davepiper.org.uk/music/gigbeth08/gigbethmainlogotilt/

There is a flickr group that people have contributed to here:
http://flickr.com/search/?q=gigbeth&s=rec

Gigbeth Reviews:

4 Talent Magazine http://www.4talentmagazine.com/2008/11/11/4talent-gigbeth-stage-round-up

Birmingham Post  http://www.birminghampost.net/life-leisure-birmingham-guide/birmingham-culture/music-in-birmingham/2008/11/10/guillemots-provide-value-for-month-at-gigbeth-festival-65233-22216579/

Rhubarb Radio http://www.rhubarbradio.com/live/events/archive.aspx

Gigbeth PO Box 14386
Birmingham
B25 9EL
www.gigbeth.com
www.gigbethconference.com

Please send  in your links, photos, reviews and comments on your Gigbeth experience and any suggestions for the future would be most welcome, i feel some evaluation of past events and hopes for future ones may be useful. Your comments please…..

Music “Manifesto of Independence” written by Jonone100 2009

The history of the present King of Music [RIAA] is a history of repeated injuries and usurpations, all having in direct object the establishment of an absolute Tyranny over Music. To prove this, let Facts be submitted to a candid world.

They have persecuted through the courts people guilty of no other crime than the enjoyment of music.

They have treated the Internet with contempt.

They have misused and abused the power of authority by representing their own interests as if they were those of the Creators.

They have attempted to impose their will by nefarious means across national borders so as to bring into submission all people of the Internet.

They have made people afraid to listen to music on the greatest medium of modern times by denying their right to privacy.

They have prevented the free association of music, technology and people by the use of DRM.

They have misrepresented their interests by claiming that they invest in the development of new music whereas in truth their interests are best served by protecting and exploiting those rights which they already own.

They have colluded with broadcasters to feed the audience bland and unhealthy fare whilst themselves getting fat and lazy on the proceeds of their misdeeds.

They have knowingly confused and conflated in the minds of both Artists and the public the seperate and distinct notions of price and value, such that as music’s money price grows its true value declines.

They have, and continue to, put stars in the eyes of our young, fostered their belief in a perverted cause which fetishises money and fame, and then cast them aside empty and desolate whilst continuing to profit from their demise even after death.

They have taken Music, which should be freely shared amongst people to grant them understanding, beauty and truth, and chained it to their own financial destinies constraining the evolution of Music and denying to the people what was freely given.

They make profane, what is sacred.

In every stage of these Oppressions We have Petitioned for Redress in the most humble terms: Our repeated Petitions have been answered only by repeated injury. An Institution whose character is thus marked by every act which may define a Tyrant, is unfit to be the ruler of Music.

Nor have We been wanting in attentions to the music business. We have warned them from time to time of attempts by their legal teams to extend an unwarrantable jurisdiction over us. We have reminded them of the circumstances of our emigration and settlement in cyberland. We have appealed to their native justice and magnanimity, and we have conjured them by the ties of our common kindred to disavow these usurpations, which, would inevitably interrupt our connections and correspondence. They too have been deaf to the voice of justice and of consanguinity. We must, therefore, acquiesce in the necessity, which denounces our Separation, and hold them, as we hold the rest of mankind, Enemies in War, in Peace Friends.

We, therefore, the Representatives of the united independent music artists, in General Cyberspace, Assembled, appealing to the Supreme Judge of the world for the rectitude of our intentions, do, in the Name, and by the Authority of the good People of Music, solemnly publish and declare, That we are, and of Right ought to be Free and Independent Artists; that they are Absolved from all Allegiance to the RIAA, and that all political connection between them and the Old Music Industry, is and ought to be totally dissolved; and that as Free and Independent Artists, they have full Power to write Songs, play Music, contract Alliances, establish Commerce, and to do all other Acts and Things which Independent Artists may of right do. And for the support of this Declaration, with a firm reliance on the protection of divine Providence, we mutually pledge to each other our Lives, our Fortunes and our sacred Honor.

Please express your support for the Declaration by releasing your music so it can be freely shared.

read the rest here: http://jonone100.blogspot.com/2009/01/manifesto-of-independence.html

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