Mark and Andy, and all those others who help run and support the Birmingham Music Network, surely this is partly what the BMN was created for.
1. Producer and studio flooded out in Wolverhampton
2. Producer goes to BMN to ask for help
3. BMN asks members for help
4. Producer happy with offer of help from new studio (Musoplex.com) and should move in soon
Category: Other (Page 82 of 115)
Inspired by several things, I thought I would look at the funding situation for those in creative industries.
At a recent Creative Networks event in Birmingham, Mike Ryan from the LSC stood up and told us all some good news about some funding being made available for the sector as part of Train to Gain. The only condition is that your business has 5 employees or more. As the next talker put it, that excludes nearly 90% of the sector who are embryonic, micro or whatever a sole trader is called these days.
Advantage West Midlands has been putting money into supporting the sector as well through the setting up of projects like Digital Central and Music for Media. They have supported activities like research into audiences, venue development, training in music technology and lots more. Those projects ceased to be funded by AWM in March 2008. The next round of funding was advised by a document drawn up by Clare Edwards who also ran Gigbeth. The early news in Summer 2008 was that the funding was to be split between Birmingham City University (formerly UCE) and Tribal supported by Gigbeth.
To date (13/01/09) no money has been given out.
Arts Council England also support ensembles, projects and other things across the region and some of their money has been swallowed up by the London 2012 Olympics. The funding does seem random with an emphasis on Classical and World music.
So where does this leave us? Funding for a new or developing creative business exists, sometimes, if you are not a sole trader, you play Classical or World Music and you hope to never make a profit. By the way, the money doesn’t come into your account; you have to bankroll it first and claim it back at the end.
So why bother? Most of the people making the decisions don’t have an understanding let alone a grounding in the creative industries. How could they possibly understand your project?
If your creative idea isn’t commercially viable in the first place, should it be helped to survive or left to die?
We should not expect to rely on these funds – they are politically skewed, shrouded in bureaucracy, absorbed by admin costs and near impossible to obtain.
We are in the early stages of a global financial realignment. Old ways of doing business are changing, some dying, some staying. New models of working are being developed.
This is the time to take risks and try something out.
It is worth bearing in mind that in the America of the 1930’s the economy supported the popular music of the time having large touring bands – a situation that has never been repeated in better times.
People still need to eat and drink and after that, the simple things in life – friends and good times are what people want. As musicians, our audience needs us as social commentators, shoulders to cry on, people to share experiences with and for escapism. A man with £3 in his pocket doesn’t mean much, but 100 people make a paying audience.
Remember who you work for, remember you are entertainers – funding doesn’t work, it distorts the market.
This article is printed in full at: http://www.andyderrick.co.uk/
Andy Derrick is an independent freelance musician based in Birmingham, UK. He used to work for the Musicians’ Union delivering front line services and advice to musicians of all genres, experience and backgrounds. Andy’s main work is as a trombonist in many groups playing Jazz, big band, classical and other kinds of music. He also works in studios as a session musician providing horn tracks for writers and composers. Since 1992 Andy has written and arranged music and currently has works published by Warwick Music and Andek Music. Andy also Teaches jazz, trombone and music theory working with pupils of all ages and standards across the Midlands.
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A Message from our man Peter Jenkinson at Music Sector Forum:
I was hoping to arrange a UK Music Sector Forum meeting so we can all catch up.
There is a good option at Liverpool Sound City – May 20th – 23rd where Dave Pichilingi has offered to host (22nd best for me), there is also Go North, Inverness 11-12 June and Doncaster Music Week (20th – 27th of March) and Great Escape, Brighton (14,15,16th May)
Please can you let me know if you plan to attend any of these events, or will be up for coming to Liverpool for a get together in May.
email: contact at musicsectorforum.org.uk
COLOUR Presents: Charlie Parr + Support
Tuesday 24 February, 8:30pm
The Victoria, John Bright Street, Birmingham
COST: ?4
On Tuesday 24th February, Colour will host their first live music event in Birmingham, following on from several years of success in Wolverhampton. Headlining the event will be renowned Minnesota folk-blues artist Charlie Parr. It will take place at The Victoria, a recently refurbished Victorian pub at the heart of the city centre.
Charlie Parr
Charlie has toured the UK several times before, astounding audiences with his contemporary take on American musical tradition. His rousing, heartfelt songs speak plainly of the darker places ordinary folks often lose themselves and of the hope that gets them through.
Lawrence Matkin of The Irish Times said:
“This is music that pulses and breathes, rhythms that sway heavy and deep, like fruit swung low on an autumnal tree; music that utterly captures the America of shunting trains and rolling plains, of home-made hooch and
Piedmont blues.”
Charlie counts among his fans Alan Sparhawk of Low and comics legend and aficionado of the blues, R. Crumb. He is touring in support of his new album Roustabout, which is released on 17 February on Misplaced Music.
More on Charlie Parr: Official Site
Colour
As well as stunning live music, the event will also feature Colour’s distinctive hosting style, with projected vintage slides, homemade cakes and DJ sets featuring folk, Americana and leftfield indie new and old.
For more information on Colour visit wearecolour.com

For photographs, interviews or quotes, email colourpromo@gmail.com
Johnny 2 Bad Valentines Day Reggae party Sat 14th Feb Birmingham Asylum, Hampton St, nr Snowhill station.£7 on door 8pm show 8.45-11.30pm