1. In your view, what is the current state of the region’s “Independent Music Industry?”
Currently it seems to attract people who use a lot of sound engineering with their music – we don’t hear so much about the natural sounds of singers and musicians.
2. What do you think are it’s immediate needs with reference to the areas that you are most familiar with?
Lack of good venues. Singers and musicians need good venues to perform, which are easy for their audiences to get to, and comfortable for both performers and audience. Since the demise of pub rooms, such venues are more and more difficult to find.
3. As far as the region’s “Independent Music Industry” is concerned, what do you think shows the greatest potential for the next few years?
Getting children involved in music and singing – these will be the musicians of the future
4. In recent years, there has been a range of initiatives and projects designed to support the development of music in Birmingham. Can you list 5 projects or initiatives that you think have proved beneficial to the “Independent Music Industry?”
Sound It Out
Sing Up (CBSO)
5. Can you list any projects or initiatives that you think have proved “of little use or benefit” to the “Independent Music Industry?”
6. With regard to your answers to questions 4 and 5, do you think Birmingham should continue to pursue the idea of more initiatives and projects designed to support the development of music in Birmingham?
Yes please, more Sing Up projects would be great
7. If you could make any changes to, or include any new ideas for, any “strategy for supporting the development of music in Birmingham” what would your top priorities be?
Training for teachers so they are more confident in delivering music and singing in their schools. Giving them resources so they can bring musicians and singers into schools.
8. If you were given the task of evaluating whether a project or initiative had been successful, what would you suggest as the best indicators of success, failure, benefit or disaster for the “Independent Music Industry?”
Has the project raised skills levels amongst its participants?
Has it increased audience participation?
9. As far as your knowledge or understanding of the region’s “Independent Music Industry” is concerned, what are it’s greatest strengths, and what are it’s greatest weaknesses?
10. If you could do anything to “support the development of music in Birmingham” what would you do and why would you choose to do that?
Continue to run folk music events and training, because our traditional music and song is valuable and relevant to people in the 21st century
The Music Network was contacted in January 2010 by a group drawn from Birmingham City Council and the Arts Council England to begin to determine an overview of the current state, needs and potential of the “Independent Music Industry” in Birmingham.
The Music Network invites people with an interest or active role within Birmingham’s Independent Music Industry to answer 10 questions.
If you wish to get involved read 10 Questions for Birmingham’s Independent Music Industry and send your completed responses by email to: info at birminghammusicnetwork.com – Thank You.
All completed questions will be published here unless you state otherwise. Please be sure to include your full Name and any links to your website or blog so you can be credited in full as the author of the response. Views from all sides are sought so don’t be afraid to speak your mind. We may learn something.